Laurel Canyon - David McGowan - Birth of the Hippie Generation - Abstract
have been looking forward to putting out an abstract of Dave McGowan's
- Inside The LC: The Strange but Mostly True Story of Laurel Canyon and the
Birth of the Hippie Generation
So here it is.... the 13 part series in pieces.... here is part 1 and 2
... please forgive the formating, see the whole abstract here: Laurel
Canyon - David McGowan Report
http://www.illuminati-news.com/articles2/00201.html
Inside The LC: The Strange but Mostly True Story of Laurel Canyon and the
Birth of the Hippie Generation
Part I
U.S. Navy Admiral George Stephen Morrison have allegedly come under attack
while patrolling Vietnam’s Tonkin Gulf. - Jim Morrison's father
earliest on the Laurel Canyon/Sunset Strip scene is Jim Morrison
Frank Zappa
‘Log Cabin’ – which sat right in the heart of Laurel Canyon,
at the crossroads of Laurel Canyon Boulevard and Lookout Mountain Avenue –
Zappa will play host to virtually every musician who passes through the canyon
in the mid- to late-1960s.
Zappa (born, curiously enough, on the Winter Solstice of 1940) never
really made a secret of the fact that he had nothing but contempt for the
‘hippie’ culture that he helped create and that he surrounded himself
with.
Francis Zappa (father) was, in case you were wondering, a chemical
warfare specialist assigned to – where else? – the Edgewood Arsenal.
Edgewood is, of course, the longtime home of America’s chemical warfare
program, as well as a facility frequently cited as being deeply enmeshed
in MK-ULTRA operations.
Zappa’s manager, by the way, is a shadowy character by the name of Herb
Cohen, who had come out to L.A. from the Bronx with his brother Mutt just
before the music and club scene began heating up. Cohen, a former U.S. Marine,
had spent a few years traveling the world before his arrival on the Laurel
Canyon scene. Those travels, curiously, had taken him to the Congo in 1961,
at the very time that leftist Prime Minister Patrice Lumumba was being tortured
and killed by our very own CIA.
Gail Zappa (wife), known formerly as Adelaide Sloatman. Gail hails
from a long line of career Naval officers, including her father, who spent
his life working on classified nuclear weapons research for the U.S. Navy.
Gail had attended a Naval kindergarten with “Mr. Mojo Risin’” himself,
Jim Morrison
Jim Morrison had later attended the same Alexandria, Virginia high school as
two other future Laurel Canyon luminaries – John Phillips and Cass Elliott.
John Edmund Andrew Phillips
was, shockingly enough, yet another child of the military/intelligence
complex. The son of U.S. Marine Corp Captain Claude Andrew Phillips
and a mother who claimed to have psychic and telekinetic powers, John
attended a series of elite military prep schools in the Washington, D.C. area,
culminating in an appointment to the prestigious U.S. Naval Academy at
Annapolis.
Phillips arrived at the very height of the Cuban Revolution (in Cuba).
a few years after Castro took power, Phillips found himself cooling his heels
in Jacksonville, Florida – alongside, coincidentally I’m sure, the Mayport
Naval Station.
Mr. Stephen Stills
Stills will have the distinction of being a founding member of Buffalo
Springfield, and, Crosby, Stills & Nash
Stills will pen perhaps the first, and certainly one of the most enduring
anthems of the 60s generation, “For What It’s Worth,” the opening lines of
which appear at the top of this post (Stills’ follow-up single will be
entitled “Bluebird,” which, coincidentally or not, happens to be the
original codename assigned to the MK-ULTRA program).
Stills was (*yawn*) the product of yet another career military family.
Raised partly in Texas, young Stephen spent large swaths of his childhood in
El Salvador, Costa Rica, the Panama Canal Zone, and various other parts of
Central America – alongside his father, who was, we can be fairly certain,
helping to spread ‘democracy’ to the unwashed masses in that
endearingly American way
Stills was educated primarily at schools on military bases and at elite
military academies.
Stephen will later tell anyone who will sit and listen that he had served
time for Uncle Sam in the jungles of Vietnam. what will be ignored is the
undeniable fact that the U.S. had thousands of ‘advisers’ – which is to
say, CIA/Special Forces operatives – operating in the country for a good
many years before the arrival of the first official ground troops
David Crosby
Crosby is, not surprisingly, the son of an Annapolis graduate and WWII
military intelligence officer, Major Floyd Delafield Crosby.
http://www.cinematographers.nl/GreatDoPh/crosby.htm
William Beebe led to a job as ph [stills & movies] on the Beebe Haitian
Expedition [1927].
filmed the Matto Grosso Expedition, the Pratt Honduras Expedition, the LaVarre
Brazilian-Guiana Expedition and an Indian Expedition
WWII he worked as a ph in the Air Transport Command making reference films
for pilots
http://www.filmreference.com/Writers-and-Production-Artists-Ch-De/Crosby-Floyd.html
For Corman, Crosby shot War of the Satellites, Machine Gun Kelly, I, Mobster,
The Fall of the House of Usher, The Pit and the Pendulum, The Premature Burial,
Tales of Terror, and many other films. Most of these films were for American
International Pictures, or AIP, Corman's "home company." Eventually
Crosby worked on other AIP projects not directed by Corman, including Bikini
Beach, Pajama Party, How to Stuff a Wild Bikini, and Fireball 500. After his
work as a cophotographer of the undistinguished programmer The Arousers, Crosby
retired from the industry.
David Van Cortlandt Crosby, as it turns out, is a scion of the
closely intertwined Van Cortlandt, Van Schuyler and Van Rensselaer families.
the Crosby family tree includes a truly dizzying array of US senators and
congressmen, state senators and assemblymen, governors, mayors, judges, Supreme
Court justices, Revolutionary and Civil War generals, signers of the Declaration
of Independence, and members of the Continental Congress.
has a real fondness for guns, especially handguns, which he has maintained
a sizable collection of for his entire life.
Jackson Browne,
who is – are you getting as bored with this as I am? – the product of a
career military family. Browne’s father was assigned to post-war
‘reconstruction’ work in Germany, which very likely means that he was
in the employ of the OSS, precursor to the CIA.
Gerry Beckley, Dan Peek and Dewey Bunnell.
Individually, these three names are probably unknown to virtually all readers;
but collectively, as the band America, the three will score huge hits in
the early ‘70s with such songs as “Ventura Highway,” “A Horse With No
Name,” and the Wizard of Oz-themed “The Tin Man.” I guess I probably
don’t need to add here that all three of these lads were products of the
military/intelligence community. Beckley’s dad was the commander of the
now-defunct West Ruislip USAF base near London, England, a facility deeply
immersed in intelligence operations. Bunnell’s and Peek’s fathers
were both career Air Force officers serving under Beckley’s dad at West
Ruislip, which is where the three boys first met.
Mike Nesmith of the Monkees and Cory Wells of Three Dog Night (two more
hugely successful Laurel Canyon bands), who both arrived in LA not long after
serving time with the U.S. Air Force. Nesmith also inherited a family
fortune estimated at $25 million.
Gram Parsons, who would briefly replace David Crosby in The Byrds before
fronting The Flying Burrito Brothers, was the son of Major Cecil Ingram
“Coon Dog” Connor II, a decorated military officer and bomber pilot who
reportedly flew over 50 combat missions. Parsons was also an heir, on his
mother’s side, to the formidable Snively family fortune. which reportedly
owned as much as 1/3 of all the citrus groves in the state of Florida.
What one finds, far more often than not, are the sons and daughters of the
military/intelligence complex and the sons and daughters of extreme wealth and
privilege – and oftentimes, you’ll find both rolled into one convenient
package.
Warren Zevon, the son of William “Stumpy” Zevon, a lieutenant for
infamous LA crimelord Mickey Cohen.
the Laurel Canyon crowd that transformed Los Angeles into the epicenter of
the music industry.
Part 2
http://www.illuminati-news.com/articles2/00202.html
These icons were, to an overwhelming degree, the sons and daughters of the
military/intelligence complex and the scions of families that have wielded vast
wealth and power in this country for a very long time.
Are we to believe that the only kids from that era who had musical talent
were the sons and daughters of Navy Admirals, chemical warfare engineers and Air
Force intelligence officers? Or are they just the only ones who were signed
to lucrative contracts and relentlessly promoted by their labels and the media?
Why did Jim Morrison never denounce, or even mention, his father’s key role
in escalating one of America’s bloodiest illegal wars?
why did Frank Zappa never pen a song exploring the horrors of chemical
warfare
CoIntelPro. Entire books, for example, have been written examining how
presumably virtuous musical artists were subjected to FBI harassment and/or
whacked by the CIA.
“what if the musicians themselves (and various other leaders and founders
of the ‘movement’) were every bit as much a part of the intelligence
community as the people who were supposedly harassing them?”
cynical exercise in discrediting and marginalizing the budding anti-war
movement and creating a fake opposition that could be easily controlled and
led astray?
the harassment these folks were subjected to was largely a stage-managed show
designed to give the leaders of the counterculture some much-needed
‘street cred’? What if, in reality, they were pretty much all playing on
the same team?
“Some on the left even theorized that the hippies were the end result of a
plot by the CIA to neutralize the anti-war movement with LSD, turning potential
protestors into self-absorbed naval-gazers.” An exasperated Abbie
Hoffman once described the scene as he remembered it thusly: “There were
all these activists, you know, Berkeley radicals, White Panthers … all trying
to stop the war and change things for the better. Then we got flooded with all
these ‘flower children’ who were into drugs and sex. Where the hell did
the hippies come from?!”
Jerry Brown
longtime resident of a little place called Laurel Canyon
Brown lived on Wonderland Avenue, not too many doors down from 8763
Wonderland Avenue, the site of the infamous “Four on the Floor” murders
the murders of Stephen Parent, Sharon Tate, Jay Sebring, Voytek Frykowski and
Abigail Folger at 10050 Cielo Drive in Benedict Canyon, just a couple miles to
the west of Laurel Canyon – had deep ties to the Laurel Canyon scene as well.
Folger and Frykowski lived in Laurel Canyon, at 2774 Woodstock Road,
Victim Jay Sebring’s acclaimed hair salon sat right at the mouth of
Laurel Canyon, just below the Sunset Strip, and it was Sebring, alas, who was credited
with sculpting Jim Morrison’s famous mane. One of the investors in his
Sebring International business venture was a Laurel Canyon luminary who I
may have mentioned previously, Mr. John Phillips.
Many of the regular visitors to Cass Elliot’s home, including a number of
shady drug dealers, were also regular visitors to the Folger/Frykowski home
Sharon Tate was also well known in Laurel Canyon, where she was a
frequent visitor to the homes of friends like John Phillips, Cass Elliott,
and Abby Folger.
the alleged killers also lived in and/or were very much a part of the Laurel
Canyon scene. Bobby “Cupid” Beausoleil, for example, lived in a
Laurel Canyon apartment during the early months of 1969. Charles “Tex”
Watson, who allegedly led the death squad responsible for the carnage at
Cielo Drive, lived for a time in a home on – guess where? – Wonderland
Avenue.
Watson co-owned and worked in a wig shop in Beverly Hills, Crown Wig
Creations, Ltd., that was located near the mouth of Benedict Canyon.
Sebring’s Benedict Canyon home, at 9820 Easton Drive, was a rather infamous
Hollywood death house that had once belonged to Jean Harlow and Paul Bern.
what do Diane Linkletter (daughter of famed entertainer Art Linkletter),
legendary comedian Lenny Bruce, screen idol Sal Mineo, starlet Inger Stevens,
and silent film star Ramon Novarro, all have in common?
If you answered that all were found dead in their homes, either in or at the
mouth of Laurel Canyon, in the decade between 1966 and 1976, then award yourself
five points. If you added that all five were, in all likelihood, murdered
in their Laurel Canyon homes, then add five bonus points.
Phil Spector,
whose crack team of studio musicians, dubbed The Wrecking Crew, were the
actual musicians playing on many studio recordings by such bands as The Monkees,
The Byrds, The Beach Boys, and The Mamas and the Papas.
Lenny Bruce
control over his unreleased material fell into the hands of a guy by the name
of Frank Zappa
Let's skip Part 3 for now (The Laurel Canyon Death list) and concentrate on
Part 4 - the Military "Lookout Mountain Laboratory"
Part 4
http://www.illuminati-news.com/articles2/00204.html
http://www.laurelcanyon.org/20cHist.html
Charles Spencer Mann and his partners began buying up land along what would
become Laurel Canyon Boulevard, as well as up Lookout Mountain.
the crest of Lookout Mountain was carved out, and upon that crest was
constructed a lavish 70-room inn with sweeping views of the city below and the
Pacific Ocean beyond. The Lookout Inn featured a large ballroom, riding
stables, tennis courts and a golf course, among other amenities. But the inn,
alas, would only stand for a decade; in 1923, it burned down, as tends to happen
rather frequently in Laurel Canyon.
In 1913, Mann built Laurel Tavern, the structure boasted a 2,000+ square-foot
formal dining room, guest rooms, and a bowling alley on the basement level. The
Laurel Tavern, of course, would later be acquired by Tom Mix, after which it
would be affectionately known as the Log Cabin.
the grounds of the Laurel Tavern/Log Cabin were also laced with odd caves
and tunnels. As Michael Walker notes in Laurel Canyon, “Running up the
hillside, behind the house, was a collection of man-made caves built out of
stucco, with electric wiring and light bulbs inside.” According to various
accounts, one secret tunnel running under what is now Laurel Canyon Boulevard
connected the Log Cabin (or its guesthouse) to the Houdini estate. This
claim is frequently denounced as an urban legend,
The Tavern itself, as Gail Zappa would later describe it, was “huge and
vault-like and cavernous.
castle-like mansion across the road, at the corner of Laurel Canyon Boulevard
and what would become Willow Glen Road. The home featured rather creepy towers
and parapets, and the foundation is said to have been riddled with secret
passageways, tunnels, and hidden chambers. Similarly, the grounds of the
estate were (and still are) laced with trails leading to grottoes, elaborate
stone structures, and hidden caves and tunnels.
the new inn and roadhouse, and the new parcels of land for sale, definitely
weren’t for everyone. The roadhouse was essentially a country club, or what
Jack Boulware of Mojo Magazine described as “a masculine retreat for wealthy
men.” And Bungalow Land was openly advertised as “a high class restricted
park for desirable people only.”
I need to mention here that, of the eight celebrity residents of Laurel
Canyon listed by the Association, fully half died under questionable
circumstances, and three of the four did so on days with occult
significance. While Bessie Love, Norman Kerry, Richard Dix and Clara Bow all
lived long and healthy lives, Ramon Navarro, as we have already seen, was
ritually murdered in his home on Laurel Canyon Boulevard on the eve of
Halloween, 1968. Nearly a half-century earlier, on January 18, 1923, matinee
idol Wallace Reid was found dead in a padded cell at the mental institution to
which he had been confined. Just thirty-one years old, Reid’s death was
attributed to morphine addiction, though it was never explained how he would
have fed that habit while confined to a cell in a mental hospital.
Tom Mix died on a lonely stretch of Arizona highway in the proverbial
single-car crash on October 12, 1940 (the birthday of notorious occultist
Aleister Crowley), when he quite unexpectedly encountered some temporary
construction barricades that had been set up alongside a reportedly washed-out
bridge.
Harry Houdini died on Halloween day, 1926, purportedly of an attack of
appendicitis precipitated by a blow to the stomach. The problem with that story,
however, is that medical science now recognizes it to be an impossibility.
Houdini’s death, on October 31, 1926, came exactly eight years after the first
death to occur in what would become known as the “Houdini house.”
early 1920s, during a brief movie career in which he starred in a handful of
Hollywood films. A key scene in one of those films, “The Grim Game,” was
reportedly shot at the top of Lookout Mountain, near where the Lookout Inn then
stood.
On October 31, 1959, precisely thirty-three years after Houdini’s death,
and forty-one years after the unnamed party guest’s death, the distinctive
mansion on the corner of Laurel Canyon Boulevard and Willow Glen Road burned to
the ground in a fire of mysterious origin (the ruins of the estate remain today,
undisturbed for nearly fifty years).
On October 31, 1981, exactly twenty-two years after the fire across the road, the
legendary Log Cabin on the other side of Laurel Canyon Boulevard also burned
to the ground, in yet another fire of mysterious origin (some reports speculated
that it was a drug lab explosion).
And twenty-five years after that, on October 31, 2006, The Secret Life of
Houdini was published, challenging the conventional wisdom on Houdini’s
death.
the book revealed for the first time: Harry Houdini was a spook working for
both the U.S. Secret Service and Scotland Yard. And his traveling escape
act, as it turns out, was pretty much a cover for intelligence activities.
compellingly document that Houdini was, in fact, an intelligence asset
who used his magic act as a cover. Not only did the authors obtain corroborating
documentation from Scotland Yard, they also received an endorsement of their
claim from no less an authority than John McLaughlin, former Acting Director
of the Central Intelligence Agency
of the eight celebrity residents of Laurel Canyon listed on the Laurel Canyon
Association website, at least two (Novarro and Houdini), and possibly as many as
four, were murdered. http://www.laurelcanyon.org/20cHist.html
Lookout Mountain Laboratory was originally envisioned as an air defense
center. Built in 1941 and nestled in two-and-a-half secluded acres off what is
now Wonderland Park Avenue, the installation was hidden from view and
surrounded by an electrified fence. By 1947, the facility featured a fully
operational movie studio. In fact, it is claimed that it was perhaps the
world’s only completely self-contained movie studio. With 100,000 square feet
of floor space, the covert studio included sound stages, screening rooms, film
processing labs, editing facilities, an animation department, and seventeen
climate-controlled film vaults. It also had underground parking, a helicopter
pad and a bomb shelter.
the studio produced some 19,000 classified motion pictures
the facility was run by the U.S. Air Force
process AEC footage of atomic and nuclear bomb tests.
indications that Lookout Mountain Laboratory had an advanced research and
development department that was on the cutting edge of new film technologies
3-D effects were apparently first developed at the Laurel Canyon site
Hollywood luminaries like John Ford, Jimmy Stewart, Howard Hawks, Ronald
Reagan, Bing Crosby, Walt Disney and Marilyn Monroe were given clearance to work
at the facility on undisclosed projects.
The facility retained as many as 250 producers, directors, technicians,
editors, animators, etc., both civilian and military, all with top security
clearances – and all reporting to work in a secluded corner of Laurel Canyon.
the secret bunker had been up and running for more than twenty years before
Laurel Canyon’s rebellious teen years, and it remained operational for the
most turbulent of those years
The existence of the facility remained unknown to the general public until
the early 1990s
In the 1950s, as Barney Hoskyns has written in Hotel California, Laurel Canyon
was home to all “the hippest young actors,”
Marlon Brando, James Dean, James Coburn and Dennis Hopper.
Natalie Wood. In fact, Natalie lived in the very home that Cass Elliot would
later turn into a Laurel Canyon party house
Sal Mineo, lived at the mouth of the canyon
Nick Adams, lived just a mile or so away (as the crow flies) in neighboring
Coldwater Canyon.
With the exception of Hopper, all of their lives were tragically cut short,
proving once again that Laurel Canyon can be a very dangerous place to live.
Deaths
James Dean, who ostensibly died in a near head-on collision on September 30,
1955, at the tender age of twenty-four
Nick Adams died on February 6, 1968, at the age of thirty-six, in his home at
2126 El Roble Lane in Coldwater Canyon. His official cause of death was listed
as suicide, of course, but as actor Forrest Tucker has noted, “All of
Hollywood knows Nick Adams was knocked off.”
Sal Mineo, whose murder on February 12, 1976 we have already covered.
Natalie Wood, who died on November 29, 1981 in a drowning incident that has
never been adequately explained
famous former residents of the canyon also includes the names of W.C. Fields,
Mary Astor, Roscoe “Fatty” Arbuckle, Errol Flynn, Orson Welles, and Robert
Mitchum
Robert Mitchum, who was infamously arrested on marijuana charges in 1948
at 8334 Ridpath Drive, the same street that would later be home to rockers
Roger McGuinn, Don Henley and Glen Frey, as well as to Paul Rothchild,
producer of both The Doors and Love. Mitchum’s arrest, by the way,
appears to have been a thoroughly staged affair that cemented his
‘Hollywood bad boy’ image and gave his career quite a boost, but I guess
that’s not really relevant here.
science-fiction writer Robert Heinlein, who reportedly resided at 8775
Lookout Mountain Avenue. Like so many other characters in this story,
Heinlein was a graduate of the U.S. Naval Academy at Annapolis and he had
served as a naval officer. After that, he embarked on a successful writing
career. And despite the fact that he was, by any objective measure, a rabid
right-winger, his work was warmly embraced by the Flower Power generation.
Heinlein’s best-known work is the novel Stranger in a Strange Land,
which many in the Laurel Canyon scene found to be hugely influential. Ed Sanders
has written, in The Family, that the book “helped provide a theoretical
basis for Manson’s family.” Charlie frequently used Strange Land
terminology when addressing his flock and he named his first Family-born son
Valentine Michael Manson, in honor of the book’s lead character.
David Crosby was a big Heinlein fan as well. In his autobiography, he
references Heinlein on more than one occasion, and proclaims that, “In a
society where people can go armed, it makes everybody a little more polite, as
Robert A. Heinlein says in his books.
Frank Zappa was also a member of the Robert Heinlein fan club. Barry
Miles notes in his biography of the rock icon that his home contained “a copy
of Saint-Exupery’s The Little Prince and other essential sixties reading,
including Robert Heinlein’s sci-fi classic, Stranger in a Strange Land,
from which Zappa borrowed the word ‘discorporate’ for [the song]
‘Absolutely Free.’”
Laurel Canyon era that we are primarily concerned with, the wild and wooly
1960s, which we will take a closer look at in the next chapter of this saga.
We have learned that murder and random acts of violence have been a part of
the culture of the canyon since the earliest days of its development.
Spooks posing as entertainers have likewise been a part of the canyon scene
since the earliest days
spooks who didn’t even bother to pose as entertainers were streaming into
the canyon to report to work at Lookout Mountain Laboratory for at least
twenty years before the first rock star set foot there.
we are supposed to believe that all of these musical icons just sort of
spontaneously came together in Laurel Canyon (one finds the words
“serendipitous” sprinkled freely throughout the literature). But how many
peculiar coincidences do we have to overlook in order to believe that this was
just a chance gathering?
(Jim Morrison) find yourself fronting a band that is on the verge of taking
the country by storm. Just a mile or so down Laurel Canyon Boulevard from you
lives another guy who also recently arrived in Laurel Canyon, and who also
happens to front a band on the verge of stardom.
(David Crosby) He happens to be married to a girl that you attended
kindergarten with, and her dad, like yours, was involved in atomic weapons
research and testing (Admiral George Morrison for a time did classified work at
White Sands). Her husband’s dad, meanwhile, is involved in another type of WMD
research: chemical warfare.
almost all of you hail from (or spent a substantial portion of your childhood
in) the Washington, D.C. area
now find yourselves on the opposite side of the country, in an isolated canyon
high above the city of Los Angeles, where you are all clustered around a secret
military installation.
background in research on atomic weapons, your father is probably familiar to
some extent with the existence and operations of Lookout Mountain Laboratory, as
is the father of your kindergarten friend, and probably the fathers of a few
other Laurel Canyon figures as well.
what do you suppose the odds are that all of that just came together purely
by chance?
http://www.laurelcanyon.org/20cHist.html
Jim Morrison, who lived in a house behind and to the south of the Canyon Store,
was one of the many rocks stars who made Laurel Canyon their home in the 60's
and 70's.
vito paulekas
http://www.united-mutations.com/p/vito_paulekas.htm
“Vito and his Freakers were an acid-drenched extended family of
brain-damaged cohabitants.” And that, in an incredibly self-indulgent
489-page tome, is the only mention you will find of “Vito and his Freakers”
– despite the fact that, by just about all other accounts, the group dismissed
as “brain-damaged cohabitants” played a key role in the early success of
Crosby’s band. And the early success of Arthur Lee’s band. And the early
success of Frank Zappa’s band. And the early success of Jim Morrison’s band.
But especially in the early success of David Crosby’s band.
Rock’n Roll Era
In a counterpoint to all this modernism and development, the rustic style of
turn-of-the-century Laurel Canyon was rediscovered by musicians during the
60’s and 70’s. Laurel Canyon was second only to Haight-Ashbury as a
Mecca for Hippies. This is “where Joni Mitchell was living when she wrote
"Ladies Of The Canyons" and "Clouds"; and, Graham Nash wrote
"Our House" when he was living here with her. Frank Zappa's
infamous home during the sixties was located on the NW corner of Lookout
Mountain and Laurel Canyon, where now is a vacant lot. He eventually moved
because every nut in town knew where he lived.” Other rock stars included
Jim Morrison, John Mayall, Carole King, The Mamas and The Papas, Dusty
Springfield, Brian Wilson, and many others. The 2001 film Laurel Canyon is
an homage to this legacy.
Carole King, Brian Wilson, Dusty Springfield, John Mayall, Joni Mitchell and
Frank Zappa are just a few of the musicians who made Laurel Canyon famous in the
60’s and 70’s.
Laurel Canyon was the physical focal point of the blues-inspired Psychedlic
rock movement, and Frank Zappa's rented cabin at Lookout Mountain and Laurel
Canyon Boulevard was the center of Laurel Canyon's crazed rock scene. The
people who made appearances at the lower cabin that was home to silent film
star, Tom Mix, and at the upper Tree House that was designed by famed architect
Rober Byrd in the 1920's included, John Mayall, the famed GTO's (Girls
Together Outrageously), the "Plaster Casters", Jimi Hendrix, The
Doors, Love, Janis Joplin, James Taylor, Mick Jagger, Mary-Ann Faithful, Jeff
Beck and many others.
"It was also durng this period that frequent cabin-guest Jimi Hendrix
briefly resided in the Errol Flynn mansion to the north of the property. The
mansion was once a home for "wayward women" and was also
occupied in earlier years by notables ranging from Bugsy Siegel to W.C.
Fields. The mansion is currently owned by Rick Rubin, co-founder of
Def Jam Records and produccer of The Red Hot Chili Peppers, Nine Inch Nails, The
Black Crowes and numerous others." - Mike Slarve Management.
Jim Morrison's house, which was recently remodeled, is next door to the
Canyon Cleaners and behind the Country Store.
Of course, with music came drugs. The LAPD's narcotics unit had targeted Laurel
Canyon as a special enforcement area, but not before the infamous murders of
four drug dealers in 1981 on Wonderland Avenue, just a few houses away from then
Governor Jerry Brown's home. The porn star, John Holmes, aka Johnny
Wadd, was implicated at first, but then a Palestinian immigrant named Eddie
Nash who owned the Kit Kat Club strip joint was arrested and later acquitted.
The film Boogie Nights was loosely based on Holmes' life, but the 2003 film
Wonderland is based on this shocking event. Holmes later died of complications
from AIDS.
The porn star John Holmes testifying at the trial for the brutal murder of four
petty criminals on Wonderland Avenue in 1981. LA Times.
Nevertheless, this funky, Rock’nRoll character lives on in the people one sees
at the Canyon Store – then and now, “the place where the creatures
meet.”
To get at the nexus of the "Hippie Generation" one must address the
principals:
The place the Laurel Canyon "Log Cabin" "crash pad",
"Ringmaster" Frank Zappa, "Vito Paulekas - Carl Franzoni
and their Freakers" and later "Ringmaster" Charles Manson
and his "Family"...
Also note that there are VERY FEW PHOTOS of the LOG CABIN available....
So let skip over to Part 6....
But first some supporting doc and photos:
http://seastwood.com/backup310/logcabinhistory.asp
http://members.cox.net/bill_lantz/pm2001.html
Photos by Peter Mackay - Laurel Canyon 2000-2003
--------------------------------------------------------------------------------
Frank Zappa and his extended family lived in the famed Log Cabin in Laurel
Canyon, Hollywood, from May to September 1968 after returning from the
6-month Garrick run in NYC. The building was built in the early 1900's by
silent movie cowboy star Tom Mix who reputedly entertained Wyatt Earp there
after the latter had moved to California. Before Zappa took over the place
for $700/month it was occupied by (Mothers Auxiliary) Carl Franzoni's commune,
renting from an African-American widow who owned it.
The Log Cabin was destroyed in a (reputedly drug related) fire around 1970 long
after FZ had moved elsewhere in Laurel Canyon, leaving only the basement and a
few other structures to be seen. On the adjacent hillside one can still see an
artificial grotto inhabited in Zappa's days by members of the GTO's, an all-girl
group produced by FZ which included the later Pamela Des Barres. Both this band
and the Mothers themselves used to practice in the basement seen in the pictures
below. The old-time picture of the Log Cabin reproduced below is the only one I
have ever seen of the intact building. The property was sold for $1.5 million in
2003 and the basement was filled in as shown below.
http://www.laurelcanyonstories.com/logcabinhistory.asp
Carl Orestes Franzoni
- Former Breast Pump Salesman
- Franzoni had met Frank Zappa at Ben Frank's coffee shop on the Sunset Strip
and told him they were being evicted from the Log Cabin, and suggested Frank
take it over for $700 a month.
Vito Paulekas (w/son Godot)
-Sculptor & first leader of dance troupe
Oh well let's move on....
Part 6
http://www.illuminati-news.com/articles2/00216.html
Vito operated “the first crash pad in LA, an open house to countless
runaways where everyone was welcome for a night, particularly young women.
mid 1960s, the group had expanded into a second communal location in addition
to the basement studio at 303 Laurel Avenue: the ubiquitous Log Cabin.
architect Robert Byrd and his son built a new guesthouse (aka ‘the
treehouse’) on the property in the early 1960s, and “The following year,
a communal family of weirdos moved into the cabin and treehouse, centered
around two underground hipsters named Vito Paulekas and Carl Franzoni,
organizers of freeform dance troupes at clubs along the Sunset Strip.”
1967, the dancers were splitting “their rent with staff from the hippie
publication The Oracle. Retired journalist John Bilby recalls at least 36
people living and partying at the Log Cabin and treehouse, including the band
Fraternity of Man. ‘Tim Leary was definitely there, George Harrison and
Ravi Shankar were there,’ Bilby says.”
the Fraternity of Man were best known for the novelty song, “Don’t
Bogart Me,”
Tim Leary was best known for being a painfully obvious CIA asset
The Oracle was a San Francisco-based publication with intelligence ties
that specialized in pitching psychedelic occultism to impressionable youth.
“Franzoni’s commune ended in May 1968,” as that was when The Oracle
moved out and our old friend Frank Zappa moved in.
The lead Mother “had visited Karl at the log cabin on a previous trip and
realized it was perfect for his needs.”
Frank, since he was already living in the canyon at the home of Pamela
Zarubica (aka Suzy Creamcheese) at 8404 Kirkwood Drive, where Zappa had met
his new wife, Gail, and where Gail’s old kindergarten pal, James Douglas
Morrison, was known to occasionally pass the time. Ms. Zarubica/Creamcheese
was yet another member of Vito’s dance troupe.
Frank Zappa took over as ringmaster, to be sure, but Franzoni and all
his cohorts stayed on.
the Freak dancers became so closely associated with the Mothers of
Invention that “they got dubbed as ‘the Mothers Auxiliary’
angelic hippie child that the readers of Life magazine met in 1966, and
who we now must sadly add to the Laurel Canyon Death List. For young Godot
Paulekas, you see, never made it past the age of three (by most accounts).
The specifics of the tragedy are all but impossible to determine, unfortunately,
as there is little agreement in the various accounts of the event. Left unclear
is exactly how the child died, when the tragedy occurred, and what age the boy
was.
“Vito and Szou’s three-year-old son Godo had fallen through a trapdoor on
the roof of the building and died.”
“two or three” year old Godot “fall[ing] to his death from a scaffold at
the studio.”
“a 5-year-old boy” who died when he “fell through a skylight.”
Godot, fell through a skylight during a wacky photo session on the roof and died
at age three-and-a-half.”
“[Vito] got married, had a baby, gave it acid, and it fell off the roof and
died.”
“Godo” Paulekas, he inserted the following caption: “Died age 2 – victim
of medical malpractice.”
Vito and Szou insisted on continuing our plans for the evening. We went out
dancing, and when people asked where little Godot was, Vito said, ‘He died
today.’ It was weird, really weird.”
Godo Paulekas. Born on December 1, 1963, Godo died on December 23, 1966,
having just made it past his third birthday. December 23 was, curiously enough,
the winter solstice (or very close to it). And it wasn’t just any winter
solstice, mind you, but specifically the first winter solstice in the Age of
Satan (as declared by Kenneth Anger’s buddy, Anton LaVey, on April 30, 1966). The
date of his death also means that young Godo died less than 48 hours before
Christmas morning, and yet his parents still thought it a good time to go out
dancing.
Vito and Sueanne divorced in Northern California in March of 1975. Before doing
so, they produced several more children, each given increasingly ridiculous
names. Gruvi Nipples Paulekas was born on June 23, 1967, exactly six months
after Godo’s death and, therefore, very near the summer solstice. Bp Paulekas
was born on December 29, 1969, just days after the third anniversary of Godo’s
death. Bizarrely enough, Sky Paulekas was born on December 1, 1971, on what
would have been Godo’s eighth birthday. Last but certainly not least, Phreekus
Mageekus Paulekas was born on January 28, 1974, a little over a year before Vito
and Sueanne divorced. According to one report, Gruvi has joined Godo in the
great beyond, a victim of her voracious appetite for drugs and alcohol.
“[Kenneth Anger’s] first candidate to play Lucifer, a 5-year-old boy whose
hippie parents had been fixtures on the Los Angeles counterculture scene, fell
through a skylight to his death. By 1967, Anger had relocated to San
Francisco and was searching for a new Lucifer.” As many readers may be aware,
he soon found his new Lucifer in the form of Mansonite and former Grass Roots
guitarist Bobby “Cupid” Beausoleil.
so it was that the soon-to-be convicted murderer replaced the cherubic hippie
child as the face of Lucifer.
Kenneth Anger was at one time investigated by the police on suspicion that he
had been producing snuff flicks
Vito Deported Late 1968..
Haiti that Vito appears to have fled to, and then to Jamaica (which at the time
had no extradition treaty with the United States), accompanied by his wife Szou
and their new baby daughter Groovee Nipple (or possibly Gruvi Nipple; does
anyone really care which is the proper spelling?
1968, Carl Franzoni, meanwhile, became embroiled in some unspecified legal
troubles of his own and went into hiding, resurfacing in Canada by some reports
Frank Zappa moved on to yet another location in Laurel Canyon, a
high-security home on Woodrow Wilson Drive.
Late 1968, the Manson Family came calling at the Log Cabin: “One former
Manson family associate claims that a group of four to six family members lived
on Laurel Canyon Boulevard in the log cabin house once owned by cowboy-actor Tom
Mix.
Manson also came calling at the Vito Clay studio on Laurel Avenue: “Applebaum
took over Vito’s place when Vito vacated at Beverly and Laurel. So he
inherited all the people that came after that … he was the beginning of the
Manson clan. Manson came there because he had heard about Vito but Vito was
gone.”
Charles Manson was little more than a younger version of Vito Paulekas.
David Crosby had “taken to wearing an Oscar Wilde/Frank Lloyd Wright-ish
cape wherever he went.”
The Process launched a major recruiting drive in the United States. They
were in Los Angeles in May and June of 1968 and for at least several months in
the fall of 1969.” The Processians, it should be noted, were instantly
recognizable on the streets of LA due to the fact that they had a curious habit
of donning black capes wherever they went.
“Vito was just like Frank, he never got high either. They were both
ringmasters who always wanted to be in control.”
“Zappa children watched porn with their parents and were encouraged in
their own sexuality as soon as they reached puberty.
Gail insisted they shower with their overnight guests in order to conserve
water.”
early 1970s, Vito Paulekas had resurfaced up north in Cotati, California, with
Carl Franzoni once again at his side
Szou eventually split from Vito and went to work for an attorney, leaving the
hippie life (and hopefully the “Z” in her name) behind.
Franzoni, meanwhile, turned up now and then on that early version of America’s
Got Talent known as The Gong Show (apparently as one of the ‘Worm Dancers’).
Chuck Barris, who famously claimed that during the days when he appeared
to be working as a mild-mannered game show producer, he was actually on the
payroll of the CIA,
“Chucky Baby” was at one time a resident of – guess where? – Laurel
Canyon (though I have not been able to confirm that).
Log Cabin - Eric Burden of the Animals moved in after Zappa vacated and the
property continued to be communally occupied.
Log Cabin - remained something of a commune throughout the 1970s, quite
possibly right up until the time that it burned to the ground on October 31,
1981
Log Cabin - Who paid the rent is anybody’s guess – as is why such a
prestigious property seems to have been made available for dirt cheap to
pretty much any “communal family of weirdos” who wanted to move in.
Now let's move back to Part 5 and finish up with Vito:
Part 5
http://www.illuminati-news.com/articles2/00215.html
“Vito and his Freakers were an acid-drenched extended family of
brain-damaged cohabitants.” And that, in an incredibly self-indulgent 489-page
tome, is the only mention you will find of “Vito and his Freakers” –
despite the fact that, by just about all other accounts, the group dismissed as
“brain-damaged cohabitants” played a key role in the early success of
Crosby’s band. And the early success of Arthur Lee’s band. And the early
success of Frank Zappa’s band. And the early success of Jim Morrison’s band.
But especially in the early success of David Crosby’s band.
Sunset Strip clubs when The Byrds played: “We had them all. We had Jack
Nicholson dancing, we had Peter Fonda dancing with Odetta, we had Vito and his
Freakers.”
“The Byrds were closely associated with Vito and the Freaks: Vito Paulekas,
his wife Zsou and Karl Franzoni, the leaders of a group of about 35 dancers
whose antics enlivened the Byrds early gigs.”
In Waiting for the Sun, Barney Hoskyns writes that the early success of The
Byrds and other bands was due in no small part to “the roving troupe of
self-styled ‘freaks’ led by ancient beatnik Vito Paulekas and his trusty,
lusty sidekick Carl Franzoni.”
Alban “Snoopy” Pfisterer, former drummer and keyboardist for the band Love,
went further still, claiming that Vito actually “got the Byrds together,
as I remember – they did a lot of rehearsing at his pad.”
The Byrds did indeed utilize Vito’s ‘pad’ as a rehearsal studio, as
did Arthur Lee’s band
the Freaks drew the crowds into the clubs to see the fledgling bands perform.
“The first hippies in Hollywood, perhaps the first hippies anywhere, were
Vito, his wife Zsou, Captain f**k and their group of about thirty-five dancers.
Calling themselves Freaks, they lived a semi-communal life and engaged in sex
orgies and free-form dancing whenever they could.”
they “started the whole hippie thing: Vito, Karl, Szou, Beatle Bob, Bryan
and me.”
They were let in for free, because they were these quintessential hippies, which
was great for tourists.”
Vito Paulekas, whose full name is said to have been Vitautus Alphonsus Paulekas.
Born the son of a Lithuanian sausage-maker circa 1912, Vito hailed from Lowell,
Massachusetts. From a young age, he developed a habit of running afoul of the
law.
In 1938, he was convicted of armed robbery and handed a 25-year sentence
1942, however, just four years later, he had been released into the custody, so
to speak, of the US Merchant Marine
1946, Vito arrived in Los Angeles.
by the early 1960s, Vito was ensconced in an unassuming building at the corner
of Laurel Avenue and Beverly Boulevard, just below the mouth of Laurel Canyon
(and very near Jay Sebring’s hair salon).
his young wife Szou’s clothing boutique, which has been credited by
some of those making the scene in those days with being the very first to
introduce ‘hippie’ fashions
“Vito Clay” studio, where, according to Miles and various others,
Paulekas “made a living of sorts by giving clay modeling lessons to Beverly
Hills matrons who found the atmosphere in his studio exciting.”
Vito’s reportedly insatiable sexual appetite and John Holmesian physique.
Vito’s students also apparently included such Hollywood luminaries as
Jonathon Winters, Mickey Rooney and Steve Allen.
Carl Orestes Franzoni, he has claimed in interviews that his “mother was a
countess” and his father “was a stone carver from Rutland, Vermont. The
family was brought from Italy, from the quarries in the northern part of Italy,
to cut the stone for the monuments of the United States.”
went into business with some shady Sicilian characters selling mail-order breast
and penis pumps out of an address on LA’s fabled Melrose Avenue.
Franzoni remembered it, his business “partner’s name was Scallacci, Joe
Scallacci – the same name as the famous murderer Scallacci. Probably from the
same family.”
Franzoni, born circa 1934, hooked up with the older Paulekas sometime around
1963 and soon after became his constant sidekick
Carl Franzoni, there were indeed a couple of brothers named Franzoni who were
brought over from Italy in the early 1800s to carve the Masonic monuments of
Washington. According to Ihna Thayer Frary’s book, They Built the Capitol,
Guiseppe Franzoni (and his brother Carlo) “had especially good family
connections in Italy, he being a nephew of Cardinal Franzoni and son of the
President of the Academy of Fine Arts at Carrara.” Also shipped over were
Francisco Iardella, a cousin of the Franzoni brothers, and Giovanni Andrei, a
brother-in-law of Guiseppe Franzoni. Thus far, I have been unable to verify that
Carl Franzoni is in fact descended from these men, but it seems quite
likely given that Carl would probably not be aware of such an obscure chapter of
American history were it not for a family connection.
Vito’s wife Szou, an ex-cheerleader who had hooked up with Paulekas when
she was just sixteen and he was already in his fifties.
young Rory Flynn (Errol Flynn’s statuesque daughter),
Ricky Applebaum who had half a moustache on one side of his face and half
a beard on the other,
young girls who would later become part of Frank Zappa’s GTO project,
other oddball characters who donned ridiculous pseudonyms like Linda Bopp,
Butchie, Beatle Bob, Emerald, and Karen Yum Yum.
young Gail Sloatman (the future Mrs. Zappa, for those who have already
forgotten)
a curious character on the LA music scene by the name of Kim Fowley. The
two were, for a time, closely allied, and even cut a record together as “Bunny
and the Bear” that Fowley produced (“America’s Sweethearts”). In
1966, Fowley produced a record for Vito as well, billed as “Vito and the
Hands.” The 7” single, “Where It’s At,” which featured the
musicianship of some of Frank Zappa’s Mothers of Invention, came no closer to
entering the charts than did Fowley and Sloatman’s effort
Fowley, as with so many other characters in this story, has a rather
interesting history. He was born in 1939, the son of actor Douglas Fowley, a
WWII Navy veteran and attendee of St. Francis Xavier Military Academy.
He grew up in upscale Malibu, California
his later employment as a young male street hustler, a profession that he
practiced on the seedy streets of the city of angels (by Fowley’s own account,
I should probably add here, just as it was James Dean himself who claimed to
have worked those same streets with Nick Adams).
Fowley spent some time serving with the Army National Guard
after which he devoted his life to working in the LA music industry as a
musician, writer and producer – as well as, according to some accounts, a
master manipulator.
Around 1957, Fowley played in a band known as the Sleepwalkers, alongside future
Beach Boy Bruce Johnston.
Fowley was best known for producing such ridiculous yet beloved novelty songs as
the Hollywood Argyles’ “Alley Oop” and the Rivington’s “Papa Oom-Mow-Mow,”
collaborating on some Byrds’ tracks
his original songs covered by both the Beach Boys and the Flying Burrito
Brothers.
In 1975, Fowley had perhaps his greatest success when he created the Runaways,
further lowering the bar that Frank Zappa had already set rather low some years
earlier when he had created and recorded the GTOs. The Runaways featured
underage versions of Joan Jett and Lita Ford, whom Fowley tastefully attired in
leather and lingerie. As he would later boast, “Everyone loved the idea of
16-year-old girls playing guitars and singing about f**king.” Especially, I
would imagine, their mothers and fathers. Some of the young girls in the band,
including Cherie Curry, would later accuse Fowley of requiring them to perform
sexual services for he and his associates as a prerequisite for membership in
the group.
he received a guest vocalist credit on the Mothers of Invention album “Freak
Out,” as did both Vito Paulekas and his sidekick, Carl Franzoni, to whom the
song “Hungry Freaks, Daddy” was dedicated (some sources claim that Bobby
Beausoleil also provided guest vocals on Zappa’s debut album, though his name
does not appear in the album’s credits).
1962, not long before Carl Franzoni joined the group, the Freak troupe was
already hitting the clubs a couple nights each week to refine their unique style
of dance (perhaps best described as an epileptic seizure set to music) and show
off their distinctively unappealing, though soon to be quite popular, fashion
sense
Franzoni has said, “There were no white bands [in LA] yet,” and “There
were no clubs on Sunset Boulevard.”
by magic, new clubs began to spring up along the legendary Sunset Strip
beginning around 1964
old clubs considered to be long past their prime miraculously reemerged
January 1964, a young Chicago vice cop named Elmer Valentine opened the doors to
the now world-famous Whisky-A-Go-Go nightclub
year later, in spring of 1965, he opened a second soon-to-be-wildly-popular
club, The Trip
end of 1964, the legendary Ciro’s nightclub began undergoing extensive
renovations. Opened in 1940 by Billy Wilkerson, an associate of Bugsy Siegel,
the upscale club had flourished for the first twenty years of its existence,
with a clientele that regularly included Hollywood royalty and organized crime
figures
Ciro’s reopened in early 1965, just before The Trip opened its doors and just
in time, as it turns out, to host the very first club appearance by the musical
act that was about to become the first Laurel Canyon band to commit a song to
vinyl: The Byrds.
Smaller clubs like the London Fog, where The Doors got their first booking as
the house band in early 1966, opened their doors to the public in the mid 1960s
as well.
The paint was barely dry on the walls of the new clubs when bands like Love
and The Doors and The Byrds and Buffalo Springfield and the Turtles and the
Mothers and the Lovin’ Spoonful came knocking.
the band members themselves didn’t actually play on their records (at least
not in the early days),
the rich vocal harmonies that were a trademark of the ‘Laurel Canyon
sound’ were created in the studio with a good deal of multi-tracking and
overdubs. On stage, it was another matter entirely.
Vito and Carl’s dancers were a fixture on the Sunset Strip scene from the
very moment that the new clubs opened their doors to the public, and they
were, by all accounts, treated like royalty by the club owners. As John
Hartmann, proprietor of the Kaleidoscope Club, acknowledged, he “would let
Vito and his dancers into the Kaleidoscope free every week because they
attracted people. They were really hippies, and so we had to have them. They got
in free pretty much everywhere they went. They blessed your joint. They
validated you. If they’re the essence of hippiedom and you’re trying to
be a hippie nightclub, you need hippies.”
Kim Fowley put it, with characteristic bluntness, “A band didn’t have to be
good, as long as the dancers were there.”
Gail Zappa candidly admitted that, even at her husband’s shows, the real
attraction was not on the stage: “The customers came to see the freaks dance.
Nobody ever talks about that, but that was the case.”
Frank added that, “As soon as they arrived they would make things happen,
because they were dancing in a way nobody had seen before, screaming and yelling
out on the floor and doing all kinds of weird things. They were dressed in a way
that nobody could believe, and they gave life to everything that was going
on.”
Vito and Carl seem to have become minor media darlings over the course of the
1960s and into the 1970s. The two can be seen, separately and together, in a
string of cheap exploitation films, including Mondo Bizarro from 1966,
Something’s Happening (aka The Hippie Revolt) from 1967, the notorious Mondo
Hollywood, also released in 1967, and You Are What You Eat, with David Crosby,
Frank Zappa and Tiny Tim, which hit theaters in 1968. In 1972, Vito made his
acting debut in a non-documentary film, The White Horse Gang.
I've been thinking about how I could weave some of my own stories in with
this thread but I think I need to start a new one , maybe "Bay Area
MK-Ultra Hippie Stories" or something like that. Way back when I was
thinking about someday putting out a folio of my photo's and journal. The short
of it is that around 1985 all my photos/negatives and my journals were destroyed
or stolen. I didn't stop taking pictures but the really golden early
fun/work was gone. I do plan to follow up in this thread with the "SF
music scene Grateful Dead/LSD" connections with Laurel Canyon and there are
a few.
Some interesting things about the SF Bay Area:
MIC:
During the 60's: Presidio, Alameda Naval Air, Oakland Transport Depot,
Concord Naval Weapons (Where the Nu-es were stored), Monterey Intellegence
training school, UC Berkeley-Laurence Livermore Labs, Travis Air Force Base,
Hunters Point Naval Station, Dow Chemical (agent orange/Napalm), Hamilton Field
Air Force Base (Novato), Mare Island Naval Shipyard (Subs) (Vallejo), Church of
Satan, Home of Jim Jones Church, Home of the Zodiac Killer, SRI - Stanford
Research Institute, Home of the "Moonies", Home of the Grateful Dead
and farm commune, Home of the Ken Kesey's - Acid Tests (PaloAlto-Stanford),
Bohemian Grove, Home of the Hell's Angel's (Sonny Barger), spiritual home of
Charlie Manson and so much more...
No nothing going on around here, just move along now....
http://www.flickr.com/photos/telstar/sets/56935/
In 1990, the San Francisco Bay Area was home to several large U.S. military
facilities.
By 2000, they were all gone.
These are scenes from the Bay Area's recently-abandoned, Cold War-era bases: Hunter's
Point Naval Shipyard (San Francisco), Treasure Island Naval Station (San
Francisco), Alameda Naval Air Station (Alameda), the SF-88 Nike Missile Site
(Marin Headlands), Hamilton Field Air Force Base (Novato), Mare Island Naval
Shipyard (Vallejo), Naval Security Group Activity base (Skaggs Island), and
portions of Moffett Field Federal Airfield (Mountain View).
As to Zappa, McGowan says "why did Frank Zappa never pen a song
exploring the horrors of chemical warfare ?"
I couldn't find anywhere he states that Zappa "supported the war in
Vietnam".
Needless to say if you search the web blogs you will find many inaccuracies
noted and there is some exaggerations made. One I saw was that The Doors really
all had been in previous bands. But it is a fact that there first live shows,
like the byrds were bad and that the first albums put out all had studio
players. That changed later.
Francis Zappa (father) was, in case you were wondering, a chemical warfare
specialist assigned to – where else? – the Edgewood Arsenal. Edgewood is,
of course, the longtime home of America’s chemical warfare program, as well as
a facility frequently cited as being deeply enmeshed in MK-ULTRA operations.
Zappa (born, curiously enough, on the Winter Solstice of 1940) never really made
a secret of the fact that he had nothing but contempt for the ‘hippie’
culture that he helped create and that he surrounded himself with.
Zappa as the perfect ringmaster, he didn't do drugs, while those all around him
were losing their minds.
And I might also add he never considered himself to be a "hippie",
take a look at this article penned by him:
http://www.geocities.com/hip_haven/60s_by_frank_zappa.htm
There are many problems with the piece, I am sure. One problem is that some
of the history is itself "legendary".
Right. What "numerous accounts" or "any account"? That's the
reason I left it out of the abstract. One might say he was a "control
freak" over "Hippies" but that about it, unless these
"numerous accounts" come forward.
Quote:
"Given that Zappa was, by numerous accounts, a rigidly authoritarian
control-freak and a supporter of U.S. military actions in Southeast Asia, it is
perhaps not surprising that he would not feel a kinship with the youth movement
that he helped nurture. "
Welcome to Laurel Canyon pt. 1
http://mightyinternational.wordpress.com/2010/11/16/welcome-to-laurel-canyon-pt-1/
Laurel Canyon Association
http://www.laurelcanyon.org/20cHist.html
I was wondering, have any of these musicians has ever commented on
this subject?
WE are all STILL too GOBSMACKED to ask any of them !
Not that I am aware of. They seem never to be asked and or they are dead
already or they change the subject.
Murray
Von Hayek - Here is some recent research I have done/found....
This is an excerpt from the December 2007 issue of Vanity Fair.
The Book Black Dahlia Avenger written in 2003 by Steven Hodel ( you
should read it if you have not) goes into a little bit more by quoting from
Phillips' book California Dreaming which I am sure you have read. The book also
states that Tamar Hodel said John Huston would film orgies with her and her
father's friends...hmmm sounds like a few directors we know of later on. There
is so much stuff in this article it is insane. The Sue Lyon connection is
interesting as well since she would go on to star in a John Huston film playing
almost the exact same role as Lolita in Night of the Iguana. Loita of course
being written by the CIA asset Nabakov and John Huston had played a pervert/
pedo in Myra Brekenridge and Chinatown with Faye Dunaway who's dad was a career
army non-commisioned officer directed by perv/pedo Polanski and starring perv/pedo
Nicholson who dated Phillips.
I ran into Jessica Hundley one night, the lady who wrote the book Grievous
Angel and I gave her printed copies of the Laurel Canyon articles. Music
people don't really know that much about politics and know even less about World
History. And most of all they don't like seeing their idols put in any other
light than that they have learned to know them to be. She said she is
currently writing a book on Dennis Hopper. That should be a doozy.
The Black Dahlia Heritage
Tamar Hodel was one of six children—by three different women—of the most
pathologically decadent man in Los Angeles: Dr. George Hodel, the city’s
venereal-disease czar and a fixture in its A-list demimonde. She’d grown up in
her father’s Hollywood house, which resembled a Mayan temple, was designed by
Frank Lloyd Wright’s son, and was the site of wild parties, in which Hodel was
sometimes joined by director John Huston and photographer Man Ray.
George Hodel shared with Man Ray a love for the work of the Marquis de Sade
and the belief that the pursuit of personal liberty was worth
everything—possibly even, for Hodel, gratuitous murder. What has recently
come to light, by way of two startling investigative books (2003’s Black
Dahlia Avenger, by Hodel’s ex–L.A.P.D. homicide-detective son, Steve Hodel,
and—building upon it—Exquisite Corpse, 2006, by art writers Mark Nelson
and Sarah Hudson Bayliss), is that George Hodel was a prime suspect in
the notorious Black Dahlia murder. (According to Black Dahlia Avenger, Hodel
was the killer, and the Los Angeles District Attorney’s office conducted
extensive surveillance of him. There were numerous arrests, but no one was ever
charged with the murder.) A striking, graphic array of evidence in the two
books strongly suggests that it was Hodel who, on January 15, 1947, killed
actress Elizabeth Short, then surgically cut her in two and
transported the halved, nude, exsanguinated corpse—the internal organs kept
painstakingly intact—to a vacant lot, where he laid the pieces out as if in
imitation of certain Surrealist artworks by Man Ray.
Without knowing any of this, 13-year-old Michelle Gilliam walked through Tamar
Hodel’s porch into a room decorated all in lavender and beheld a sultry Kim
Novak look-alike. “Tamar was the epitome of glamour,” Michelle recalls.
“She was someone who never got out of bed until two p.m., and she looked it.
It was late afternoon, and she was dressed in a beautiful lavender suit with her
hair in a beehive. I took one look and said, New best friend!” With Tamar was
her cocoa-skinned daughter, Debbie, five; folksinger Stan Wilson, an
African-American, was Tamar’s current husband. (She’d married her
first—who was also black—at 16, in 1951.) “Tamar was so exotic! She was
instantly my idol.”
Tamar’s sophistication had a grotesque basis. In her father’s home—where
she had often “uncomfortably” posed nude, she recalls, for
“dirty-old-man” Man Ray and had once wriggled free from a predatory John
Huston—George Hodel had committed incest with her. “When I was 11, my father
taught me to perform oral sex on him. I was terrified, I was gagging, and I was
embarrassed that I had ‘failed’ him,” Tamar says, telling her version of
her long-misreported adolescence. George plied her with erotic books, grooming
her for what he touted as their transcendent union. (Tamar says that she told
her mother what George had done, and that, when confronted, George denied it.)
He had intercourse with Tamar when she was 14. To the girl’s horror, she
became pregnant; to her greater horror, she says, “my father wanted me to have
his baby.” After a friend took her to get an abortion, an angry
George—jealous, Tamar says, of some boys who’d come to see her—struck her
on the head with his pistol. Her stepmother, Dorero (who was John Huston’s
ex-wife), rushed her into hiding.
George Hodel was arrested, and the tabloid flashbulbs popped during the
sensational 1949 incest trial. Hodel’s lawyers, Jerry Geisler and Robert
Neeb, painted Tamar as a “troubled” girl who had “fantasies.” Tamar’s
treatment by the defense and the press during that time wounds her to this day.
George was acquitted.
When Michelle appeared on Tamar’s porch, Tamar saw in her “a gorgeous little
Brigitte Bardot” and sensed that she could rewrite her own hideous youth by
guiding a protégée through a better one. “Meeting Michelle felt destined, as
if we’d known each other in another life,” says Tamar. “I wanted to
champion her, because no one had championed me.” Michelle says, “I moved in
with Tamar; she ‘adopted’ me right away. Then everything started.”
Tamar took the lower-middle-class bohemian’s daughter and polished her. She
bought her the clothes Gil couldn’t afford, enrolled her in modeling school,
taught her how to drive her lavender Nash Rambler, and provided her with a fake
ID and amphetamines, Michelle says, “so I could make it through a day of
eighth grade after staying up all night with her. Tamar introduced me to real
music—Bessie Smith and Paul Robeson and Josh White and Leon Bibb. And I,
who’d been listening to the Kingston Trio, was just entranced.” To keep Gil
from being bent out of shape by the fact that his daughter had been spirited
away, Michelle says, “Tamar put on perfect airs around my dad, and when it
became necessary she would sleep with him.” One day Tamar’s husband, Stan,
made the mistake of crawling into Michelle’s bed. Michelle shoved him out, and
Tamar ended the marriage, leaving the two young blonde beauties on their own,
with sometimes a third one visiting them, Michelle’s fresh-faced teen-model
friend Sue Lyon. “Sue was innocent and naïve, not like us,” Tamar says.
Sue’s mother bawled Michelle out for sneaking her daughter a copy of Lolita.
Tamar says she had to explain the famous masturbation scene to the sheltered ingénue.
(A few years later, Sue was cast in the title role in the 1962 Stanley Kubrick
film of the novel—a role Tamar insisted should have been played by Michelle.)
In early 1961, Tamar and her teenage sidekick moved to San Francisco. They
painted their apartment lavender, and, like two Holly Golightleys on uppers,
they did the town, watching Lenny Bruce and Mort Sahl spew their subversive
humor at the hungry i and the Purple Onion. They got to know the cool guys on
the scene; Michelle fell for singer Travis Edmonson, of the folk duo Bud and
Travis, and Tamar fell for activist comedian Dick Gregory.
Both girls thought that Scott McKenzie (original name: Phil Blondheim), the
wavy-haired lead singer in a folk group called the Journeymen, was, as
Michelle puts it, “very, very cute.” Tamar won his heart. She took Scott
back to the apartment to listen to La Bohème, and, as Michelle remembers it,
with a laugh, they never left the bed.
The Journeymen’s leader, whose name was John Phillips, appeared at the door
every night, annoyed to have to yank his tenor out of Tamar’s arms to get him
to the club by showtime. A native of Alexandria, Virginia, Phillips was tall and
lean and exotically handsome: his mother was Cherokee; his secret actual father
(whom he never knew) was Jewish, though he’d been raised thinking that the
square-jawed Marine captain his mother had married was his father. From the
moment Michelle saw him in the hungry i phone booth—long legs stretched out,
ankles propped on his guitar case—she knew two things: one, he was married
(“You could tell he was making The Call Home”), and, two, she had to have
him. “I fell in love with his talent, his poise, his ability to be leader of
the pack.” Michelle “stepped out of a dream,”
John Phillips would rhapsodize in his 1986 autobiography, Papa John. She
was “the quintessential California girl.… She could look innocent, pouty,
girlish, aloof, firey.” Michelle says, “John was 25, married with two
children, from an East Coast Catholic military family. He had gone to Annapolis,
he performed in a suit and tie—he had never met anyone like me!” Her
uniqueness in John’s eyes was no small thing, since he was a habitual trend
surfer (“a charismatic snake-oil salesman” is how Marshall Brickman puts
it). He’d started a doo-wop group when doo-wop was in, then switched to
ballads with his group the Smoothies—just in time for American Bandstand’s
body-grinding slow-dancers—then jumped on the folk bandwagon.
To John, Tamar Hodel’s protégée was a fascinating hybrid just over the
Zeitgeist’s horizon: a street girl, to be sure (“She would have fit into the
Ronettes or the Shangri-Las perfectly,” he’d later say), yet seasoned in
high culture and political idealism—and with that angelic face. John used to
tell Michelle she was the first flower child he had ever met.
Murray
Von Hayek
Ms. Phillps seems to have been within a few degrees of a handful of incestuous
puedo/pervs and murderers including her now exposed ( pun intended) former
husband whom she defends below in a 2009 vanity fair follow-up. But let's look
at some other L.C. related sexual assaults.
Jane Fonda in her 2005 book My Life so Far, states when she was in the 3rd
grade...
"It seems there'd be a new nanny every few months....
The Next nanny was young and pretty and had a boyfriend in the army. One
afternoon when he was home on leave she brought him in to the bathroom while I
was taking a bath. she asked me to get out of the tub and when I did, I remember
her turning me around. i felt scared.But I have no memory beyond that. I do not
know if he molested me but something bad must have happened around that time,
because this is when I began to behave differently and have recurring fantasies
iwhich I either watched or participated in sexually disturbing, even violent
acts."
Lady Jane Seymour Fonda ( ever looked into their family background talk
about a who's who Standard Oil execs and all) also was Bulimic and Anorexic,
which means that a few million women got ripped off 20 years buying her workout
videos thinking they were gonna look like her.
Jimi Hendrix was allegedly sexually assaulted when he was a kid. He said nothing
more than it was a " MAN IN UNIFORM" who did it. this is in Room full
of mirrors by Charles Cross.
Jim Morrison told a close friend that his dad sexually assaulted him a a boy
this is claimed in stephen Davis' bio.
Did you see the one and only interview with Admiral Morrison in the 2009 documentary
"people are strange"?
What is strange is how he died right after and of course after McGowan wrote
the articles he decides to give an interview after all this time on jimmy boy?
strange.
I want to sit here and write more but I gotta go ..more to come the
article is below.
Michelle Phillips and Friends Speak Out about Mackenzie's Incest Allegations
by Sheila Weller September 25, 2009, 11:31 AM
Two years ago I wrote a lengthy Vanity Fair profile of Michelle Phillips,
who, along with her then husband John Phillips, Cass Elliott, and Denny Doherty,
jump-started the sybaritic phase of the counterculture with their iconic group,
The Mamas and the Papas. What struck me most, and what I tried to convey in
the piece, was what a survivor Michelle has been. With pragmatism, wit, and a
polished form of street smarts, she made it through the tumultuous years of sex,
drugs, and rock-’n’-roll that battered or killed so many of her friends and
partners—foremost among them John Phillips, whose destructiveness was too
florid even for Keith Richards, who once kicked Phillips out of his house for
being too out-of-control.
Incidentally, father-daughter incest played a role in my story. As a young
teenager, Michelle’s mentor had been an older girl, Tamar Hodel, who at age 16
had been raped by her father, a prominent (and extraordinarily decadent) doctor.
Tamar had become pregnant, had an abortion, and testified at a notorious,
headline-making, noir-era-L.A. incest trial; but somehow she, not her father,
was the one who ended up being blamed and shamed. In meeting the beautiful young
Michelle on the heels of her trauma and disgrace, Tamar had wanted, as I’d put
it, “to rewrite her own hideous youth by guiding a protégée to a better
one.” It was through Tamar that Michelle met John Phillips.
This week the headline-making news comes from John Phillips’s 49-year old
daughter, Mackenzie Phillips (whose mother is Susan Adams Phillips, John’s
first wife): in her new memoir and all over TV, she has said she was raped by
her father at 19 and went on to have what she has sadly come to consider a
“consensual” incestuous relationship with him for 10 years, ending it only
when she became pregnant, feared the baby was his, and aborted it. Several times
while I was reporting my story—for example, when I spoke to John Phillips’s
third wife, the still-fragile Genevieve Waite, about their years of intense
drug-taking—I sensed that there were hidden traumas. Still, I couldn’t have
imagined this.
I applaud Mackenzie Phillips’s crushingly difficult honesty. Even in our
confessional culture, there are a few taboos that never stop shaming the
confessor, and incest is one of those few. It is, simply put, a life-ruiner, and
it’s amazing that Mackenzie, addictions notwithstanding, survived as
productively as she has. But what do the people in her family, and the Mamas and
Papas family, think of her revelations? I made some inquiries.
One member of the inner circle of the original Mamas and Papas e-mailed me:
“If I could pull John out of his crypt and beat the crap out of him I would.
What a tragic, disgusting, and disturbing piece of news.” When I called Tamar
Hodel in Hawaii, where she lives, she said, “I believe Mackenzie, and I agree
with what she has said on TV: that there is much more incest out there than
people are aware of. It’s hidden and it destroys lives. I look at Mackenzie
and realize I was fortunate: I was raped only one time by my father.” Tamar
recalled seeing Mackenzie in Hawaii a few years ago, when Mackenzie was
performing in The Vagina Monologues. “She was onstage, talking about incest,
and there was no doubt she was talking about herself.” As someone who was once
in a position similar to Mackenzie’s, Tamar demurs only when discussing the
immense publicity that has accompanied her revelation (Mackenzie has been on
Oprah and the Today show, and her
book, High on Arrival, is the No. 3 bestseller on Amazon). Tamar “went into
hiding” after the long-ago incest trial, and she eventually managed to resume
her life. But when, years later, her brother Steven Hodel wrote a bestselling
book that detailed her ordeal, Tamar says, “I went into traumatic shock.”
When I called Michelle Phillips at her home in L.A. yesterday she was typically
forthright. “I’m so embarrassed—and mad,” she said. “At Oprah, at the
publisher, and at Mackenzie, who should be on a psychiatrist’s couch, not on
TV.” Michelle is not quite ready to concede that her former husband and the
father of her daughter, Chynna Phillips, could have committed such heinous acts.
“Is this all true? We’ll never know, because she waited until John was
dead,” she said, adding that she was worried about how the news will impact
other members of the Phillips family. “If you’re going to make these
accusations and they don’t hurt anyone living, that’s one thing. But
Mackenzie has affected the lives of all her nieces and nephews, who are not
going to school today and are staying home sobbing instead. And the book has
come out just at the time that Chynna [a onetime member of the group Wilson
Phillips] has to go out on the road with
her new album [of Christian music], Chynna and Vaughan. She said, ‘Mom, what
am I gonna do—not promote my album?’ So she’s going out today, head held
high.” Like most of the women in her family, Chynna, too, is a survivor.
Turns out Frances Ford Coppo.. Whoops I mean Seymour was mysteriously
sexually abused too. Something else interesting Fonda is a latin word for
bottom. Hence the spanish Fondillo for rear end. So I guess old Pete's (Peter)
name is literally Rock Bottom or Penis Ass. I am guessing he's probably heard
that one before.
Jane Fonda's mom sexually abused
By WENN.COM
Last Updated: October 28, 2010 12:10am
Jane Fonda was left floored when she discovered her late mother had been
sexually abused as a child while reviewing her life at 59.
The movie icon became a detective as she attempted to piece together the
'puzzle' of her life as she approached her 60th year and one piece of
information she found in her mother Frances Seymour Brokaw's health records
helped her to understand why the socialite was the way she was and why she took
her own life when the actress was 12.
In a candid TV interview with Oprah Winfrey, which aired in America on
Wednesday, Fonda explains, "(I was) interviewing people... (but) both my
parents were dead - that's why it's good to do it early enough. Always interview
your parents separately, so the scenario that they're used to telling isn't
gonna be the same. And be sure to ask about abuse - one in three women have been
sexually abused as children and no one ever talks about it.
"It affects everything about your life... because the shadow of guilt is
sprinkled over the next generation, so, to understand yourself, you have to
really bring it out and oftentimes that can be very healing for your mother or
father to talk about it.
"My mother was dead; I found out from her medical records that she had been
sexually abused and the minute I heard that, it was like, 'Ah, that explains so
much - the promiscuity, the plastic surgery, the hating her body, all of that.'
I wanted to mother her and forgive her.
"It changed my life... I knew it (her mother's suicide) had nothing to do
with me... We have this idea that it's all our fault and my mother killed
herself when I was 12. Suddenly I realized these were her issues, bless her
heart."
Do you enjoy Ancient priesthoods? Supernatural beings? Jane Fonda? Visions
while listening to Simon and Garfunkel? Robber Baron tycoon types? wait are we
in Laurel Canyon? No we are in Laurel Springs!
One more tidbit, did you know that both Herb Alpert and Jerry Moss (A&M
Records) were both in the Army? For Moss it is mentioned as a stint nothing big
you know just a stint and good old Herb the Mexican Jew supposedly learned how
to play trumpet for ol' Unlce Sam. And way off subject but not too far, Did you
know that Lou Adler's nephew is Steven Adler the former drummer for Guns and
Roses? I guess it wasn't really that hard growing up on the tough streets of
Hollywood in 1987 as the 1st album would have you believe.
The Laurel Springs Retreat (from the official website)
Native American Roots
It is believed that the first settlement of this area occurred 10,000 years ago,
when the sea level was 150 ft. lower, and access to the northern Channel Islands
(at that time Island) was easier. By 1000 B.C.C. the beginnings of the modern
Chumash language was being established in the Santa Barbara region.
500 - 1769 A.D.
Undisturbed by foreign settlers, indigenous civilization thrived. Tribes of
Chumash (believed to translate as "seashell people") Indians spanned
from the beaches of Malibu to the Oak country of Paso Robles. Chumash of the
region were primarily hunters, gatherers and fishermen, and distinguished
themselves with advanced basketry, stone cookware and construction of innovative
plank canoes fashioned with driftwood from the North, pine pitch and naturally
occurring local tar. A tiered society developed, ranging from manual laborers to
skilled craftsmen. Men and women both served as the chiefs and priests of the
individual Chumash tribes.
San Marcos Pass, which crosses the Santa Ynez Mountains and is the path to
Laurel Springs Retreat, was once a trading route between the coastal and inland
tribes. It is thought that Laurel Springs, at it's heightened elevation, was
exclusively used by the shaman priests and astrologers for religious ceremonies
and vision questing. Painted Caves in the area, up to 1,000 years old, depicting
supernatural beings and celestial events support this belief.
1900's
Formerly a chef at the Arlington Hotel, Homer Snyder homesteaded the 160 and
13/100 acres and with a land grant, signed by President Theodore Roosevelt,
acquired what he would call "Laurel Springs" in 1902. Originally
settled to provide his wife, ailing with tuberculosis, a space away from the
moist coastal air, Snyder built the Laurel Springs Inn (now called "The
Lodge") in 1905 and the ranch became a Bed & Breakfast vacation resort,
well known for its apple orchards, hand-pressed cider and rose gardens.
Outlasting her husband, Mrs. Snyder built a memorial monument in Homer's honor
after he passed away in 1925. The plaque and a portion of the monument remain
atop our "Gazebo Trail" which overlooks the ranch and the nearby
Painted Cave community.
Mrs. Snyder then sold Laurel Springs to George Knapp, a Chicago utilities tycoon
who owned several other properties in the area. The remains of nearby
"Knapp's Castle" are currently a popular a hiking location and full
moon gathering location. Knapp who established Knapp's School of Nursing in
Santa Barbara provided Laurel Springs as a retreat site for the busy nurses of
the local Cottage Hospital.
The 80's
In 1977, actress Jane Fonda and her husband Tom Hayden acquired Laurel Springs
Ranch. That same year, our own John Bair was hired as a ranch gardener.
Initially designed as a headquarters for Hayden's political activities, Laurel
Springs soon became home of Laurel Springs Children's Camp. For 15 years, Fonda
ran this Summer camp using the arts, especially dramatic arts, to foster new
opportunities, self-esteem and communication among children of varied races and
socioeconomic backgrounds.
1997...
In May of 1997, Melissa Keeler first stepped onto the mist-enshrouded grounds of
Laurel Springs Ranch. The fog so thick, that the land's physical features were
nearly invisible, she was moved energetically, by her perception of the palpably
powerful forces of compassion and healing. She was also struck by a powerful
memory...
Two years earlier, while driving in the Eastern Sierras and listening to
"Bridge Over Troubled Water," she had received a lightning bolt vision
of a healing/retreat center so vivid, that she recognized it as a spiritual
direction. Unsure of how to proceed, she exclaimed out loud "Yes! I will do
this work, but you must show me when, where and how. I have no idea how to do
this on my own, but I promise to watch for the signs..."
After a last-minute pull-out from an established buyer, Melissa embraced the
opportunity to establish and care for our current Laurel Springs Retreat.
Through much trial and error, stubborn determination and deep surrender, she and
partner Michael Morris accepted a stewardship of this revered land and have
guided the Laurel Springs Retreat to its current glorious incarnation!
Moving from L.A.-RAND to S.F-Stanford-SRI-Palo Alto, one of my best and most
original investigative threads and it certainly ties into Laurel Canyon.
The
Sequoia Seminars - 1954 - LSD Therapy - History
Who was Willis Harman and what were the "Sequoia Seminars"?
http://www.erowid.org/culture/characters/eisner_betty/eisner_betty.shtml
Betty Grover Eisner, Ph.D. was a clinical psychologist who was part of the group
of LSD researchers active in Los Angeles in the 1950s and 60s.
According to Oscar Janiger, she participated in discussions about potential
socially acceptable uses of LSD with a group including Aldous Huxley, Gerald
Heard, Alan Watts, Anais Nin, and Sidney Cohen.
Gerald Heard, Christopher Isherwood, Sir Julian Huxley Auldous Huxley and
Linus Pauling L.A. 1960
I used to go to plenty of “Bill Graham Presents” productions in the
Bay Area and, when I finally wizened up a bit, wondered, at times, if Bill
Graham were not more than merely the money bags behind the events, if he were
not some sort of "personnel” manager in the slave-owning and driving
sense of the word. ...
Exactly his death by helicopter / power line was very strange. Also this
happen just before Halloween...
He did not die of old age, quietly in his bed...
http://en.wikipedia.org/wiki/Bill_Graham_(promoter)
Bill Graham (January 8, 1931 – October 25, 1991) was an American
impresario and rock concert promoter from the 1960s until his death.
Graham was killed in a helicopter crash near Vallejo, California on October 25,
1991, while returning home from a Huey Lewis and the News concert at the
Concord Pavilion.[6] Graham had attended the event to discuss promoting a
benefit concert for the victims of the 1991 Oakland firestorm, after a large
portion of the Oakland/Berkeley Hills area burned. Once he had obtained the
commitment from the News to perform, he returned to his helicopter, which
crashed shortly after take-off, just 20 miles from the concert site.[6][22]
Flying in weather reported as low overcast, rain and gusty winds, the
aircraft flew directly into a 223-foot high-voltage tower along Hwy 37,
which runs between Vallejo and Marin County. Also killed in the crash was
pilot Steve Kahn and Graham's girlfriend, Melissa Gold, ex-wife of author
Herbert Gold
Pets pulled from burning Hollywood Hills home by firefighters
[Updated]
May 18, 2011 | 10:41 pm
Los Angeles firefighters pulled seven cats and dogs from a burning home
Wednesday night in the Hollywood Hills.
Firefighters were giving assistance to the three dogs and four cats outside the
home in the 2700 block of North Laurel Canyon Boulevard, the Los Angeles Fire
Department said.
The condition of the animals was not immediately known.
[Updated at 10:53 p.m.: Firefighters were able to save two dogs and two cats.
The other animals died at the scene, the department said.]
About 30 firefighters knocked down the blaze in 22 minutes, the department said.
Laurel Canyon was closed to traffic near the fire scene. The cause of the fire
is under investigation.
Dave McGowan Interview
http://www.whale.to/b/dave_mcgowan.html
http://www.whale.to/b/dave_mcgowan.html
The figureheads of all
the big LC bands--Frank Zappa,...John
Phillips,...Jim Morrison,...David Crosby,...Steven Stills, on and on, every
one of these guys is a product of the military intelligence establishment...
I find it very hard to believe that the only people in the country who had
musical talent happened to be sons and daughters of the Military community...Jackson
Brown, Amy Lou [sic] Emmylou Harris
Crosby is still alive...
http://en.wikipedia.org/wiki/David_Crosby
David Crosby was born in Los Angeles, California. His parents were Aliph Van
Cortlandt Whitehead and Floyd Crosby, an Academy Award winning cinematographer.
http://sweatybitchesofrocknroll.wordpress.com/category/gina-vivinetto/
David Crosby with his dad
Still's is still alive...
http://en.wikipedia.org/wiki/Stephen_Stills
Stephen Arthur Stills (born January 3, 1945) is an American guitarist and
singer/songwriter best known for his work with Buffalo Springfield and Crosby,
Stills & Nash (and Young).
...
Stills was raised in a military family. Moving around as a child, he developed
an interest in blues and folk music.
...
Stills dropped out of the Louisiana State University[3][dead link] to pursue a
music career in the early 1960s
Update: We were politely asked to remove the images. All links to the
original Time Life images remain below.
Jimi's dead:
Who is Ted Nugent? Who was Fank Zappa? - "The Ring Masters"
Frank
Zappa with his parents (his dad Francis Zappa
http://en.wikipedia.org/wiki/Ted_Nugent
...
After settling down on a ranch in Michigan in 1973,
Nugent signed a record deal
with Frank Zappa's DiscReet Records label and recorded Call of the Wild.
The following year, Tooth Fang & Claw (which contained the song
"Great White Buffalo") established a fan base for Nugent and the
other Amboy Dukes. Personnel changes nearly wrecked
the band, which became
known as Ted Nugent & the Amboy Dukes.
Nugent reunited with the other members of the Amboy Dukes at the 2009
Detroit Music Awards, which took place April 17, 2009.
The psychedelic band received a distinguished
achievement honor at the event. The Dukes also played together at the
ceremony, marking their first public performance in more than 30 years
...
The Amboy Dukes' second single was "Journey to the Center of the
Mind", which featured lyrics written by the Dukes' second guitarist
Steve Farmer.
Nugent, an ardent anti-drug
campaigner, has always claimed that he had no idea that this song was about
drug use
LAUREL CANYON 1 - 60s Music Hollywood CIA MK-Ultra LSD
Check out this interview with Dave McGowan. I will post the link for the
first part and the others are linked to from that.
This is pretty good stuff.
http://www.youtube.com/watch?v=_JvF9RFf5RQ
More links taken from the description page.
SEE LINKS:
MOST OF ALL READ THE 17 ARTICLES ON THE LAURAL CANYON CONNECTION (Laurel Canyon
is a neighborhood in Hollywood Hills in Los Angeles. Hollywood has several
famous neighborhoods) HERE WITH RESEARCHER DAVE McGOWAN...
This will blow Your
Minds; just click the article links below and read:
http://www.davesweb.cnchost.com/index.html
http://zephreport.podomatic.com/entry/2009-11-08T13_16_49-08_00
http://intheknow7.wordpress.com/
http://www.youtube.com/user/EsotericKitten
http://bigscreendeception.blogspot.com/?zx=7925ece261b915bf
http://pseudoccultmedia.blogspot.com/
http://theindustryexposed.com/
http://vigilantcitizen.com/
http://www.illuminati-news.com/art-and-mc/index2.htm
http://www.illuminati-news.com/art-and-mc/occult-rock-music.htm
READ THIS:
"It Was Twenty Years Ago Today,"...That Crowley Drugged World Away:
CIA psyops of 1960s -
http://portland.indymedia.org/en/2006/06/341573.shtml
PLEASE READ THIS:
http://www.whale.to/b/satan_rock.html
http://www.imdb.com/title/tt0062395/
The Trip (II) (1967)
Director: Roger Corman
Writer: Jack Nicholson
Stars:
Peter Fonda, Susan Strasberg and Bruce Dern
[ AND Dennis
Hopper ]
http://www.youtube.com/watch?v=Q9jaB1cVNZ4
http://lylybye.blogspot.com/2010/08/film-trip-peter-fonda-1967.html
http://rachaelrice.com/page/3/
http://www.siblingshot.com/2009_01_01_archive.html
Paul Beaver: synthesizer; Michael Bloomfield: guitar;
Harvey Brooks: bass; Marcus Doubleday: trumpet, flugelhorn;
Barry Goldberg: organ, piano, harpsichord;
Nick Gravenites: guitar, vocals; Bobby Notkoff: violin;
Buddy Miles: percussion; Peter Strazza: saxophone.
A cautiously representative sample from the score to the 1967 cinematic fest
which was the love child of Peter Fonda and Jack Nicholson. Sidewalk was a
subsidiary of Capitol, under the creative wing of Mike Curb.
There are unexpected encounters with brilliance peppered through this, like
finding sparkling veins on a subway wall.
▼ THE ELECTRIC FLAG: PETER'S TRIP from "The Trip (Soundtrack)"
LP (Sidewalk) 1967 (US)
▼ THE ELECTRIC FLAG: SYNESTHESIA from "The Trip (Soundtrack)"
LP (Sidewalk) 1967 (US)
▼ THE ELECTRIC FLAG: GREEN & GOLD from "The Trip
(Soundtrack)" LP (Sidewalk) 1967 (US)
Speaking of trips, visit this recent post on Doc 40 with its link to New
Scientist, for a mindwarping exploration of the universe as hologram. Philip
K. Dick would have lapped it up.
PURCHASE THE TRIP (OST)
http://thehighhat.com/Nitrate/004/bottomshelf.html
Corman was never slow to jump on a trend, so it’s no surprise that he was
first out of the gate when the LSD craze hit. Penned by Jack Nicholson,
The
Trip hit theaters in the Summer of Love, with Sgt. Pepper’s Lonely Hearts
Club Band still riding the top of the album charts. Ever the consummate
professional, Corman sampled the drug while camping at Big Sur and by his own
account, had a mighty fine time doing so. Nevertheless,
in the course of
his diligent research he had come across some mentions of what the hippies
termed “bad trips,” and felt compelled to present a more balanced
picture of the hallucinogen’s effects than his own experience had provided.
Peter Fonda stars as TV commercial director Paul Groves, a straight-arrow type
who decides to take an acid trip as a means of dealing with his pending
divorce. Even for a novice like Groves, certain ground rules should be
self-evident, the primary one being: when tripping for the first time, you do
not want Bruce Dern to be your guide. The man is not possessed of a soothing
bedside manner, to say the least. Nonetheless, Groves agrees to take the drug
under the supervision of Dern’s unnerving weird-beard character, and we’re
off to the races.
http://en.wikipedia.org/wiki/Henry_Fonda
Henry Fonda
Fonda then enlisted in the Navy to fight in World War II, saying,
"I
don't want to be in a fake war in a studio."[19] Previously, he and
Stewart had helped raise funds for the defense of Britain.[20] Fonda served
for three years, initially as a Quartermaster 3rd Class on the destroyer USS
Satterlee. He was later
commissioned as a Lieutenant Junior Grade in Air
Combat Intelligence in the Central Pacific and was awarded the Navy
Presidential Unit Citation and the Bronze Star.[21]
http://www.1stcavmedic.com/jane_fonda.htm
08/22 1972 - Jane Fonda makes radio address from Hanoi Vietnam
The Trip (1967) - Full Movie
http://www.youtube.com/watch?v=iwuTEV2G1HU&feature=related
related: Black
Noise Bomb - David Bowie - William S. Burroughs
http://therearenosunglasses.wordpress.com/2010/01/23/was-timothy-leary-a-cia-agent/
Was Timothy Leary a CIA Agent? by Mark Riebling
...
1973-78: After two years of “jet-setting” in Switzerland, Leary returns to
the U.S. By his own account, this has occured through the machinations of CIA;
Leary says they have “kidnapped” him. He is convicted on drug charges, and
begins doing hard time at Folsom Prison. This seems clear evidence, again, that
suspicions about his ultimate loyalties are merely left-wing paranoia. But after
a few months out of public view, Leary comes into the open as a government
informant. Under the code-name CHARLIE THRUSH, he turns State’s evidence
against the Weather Underground. Freed from prison, he is taken into custody for
fear that radical revolutionaries have marked him for execution. His former
colleagues in the movement form a group calling itself People Investigating
Leary’s Lies (PILL). Abbie Hoffmann declares that “Timothy Leary is a name
worse than Benedict Arnold.” Allen Ginsburg says that Leary is “like Zabbath
Zvi, false Messiah, accepted by millions of Jews centuries ago.”
1978-93: After his last offical contacts with security agencies, in 1978, Leary
distances himself both from the government and the “movement” that no longer
really exists. Out in the cold, he becomes a sophist in the true sense, a
wise-man for rent or hire. Early in the Reagan years he “debates” G.
Gordon Liddy, the Watergate burglar who once busted him at Milbrook, on a
nationwide tour.
Former sixties radicals disgustedly describe the event as “bogus,” and say
it is proof that Leary is “in with the fuzz.” At the very least, Leary seems
to the Left a lightweight, a one-man Madison Avenue scam, a functional part of
the Establishment he once swore to subvert. He hangs out at Helena’s, the
trendy restaurant in which Jack Nicholson has an interest, and he occasionally
philosophizes for a fee at Carlos and Charlie’s, a local restaurant that also
headlines Joan Rivers. He defends his New Style by saying, quite earnestly:
“If Aristotle were alive today, he’d have a talk show.”
He also publishes Flashbacks: An Autobiography, recounting obliquely his
dealings with Cord and Mary Meyer and his work as a government informant,
touching only in passing on CIA’s funding of LSD resarch.
In 1992 appears, as himself, in Roadside Prophets, a film starring Adam Horovitz.
In 1993, he appears in an ad for the Gap. (Cf. “The Great Gap Conspiracy,”
by Hugh Gallagher, in the previous issue of Grand Royal.) He designs computer
software and hails the coming of the Information Superhighway. Though lacking
family wealth, or any gainful employment since 1962, he has nevertheless managed
to become a rich man.
He lives in Benedict Canyon, only a doors away from the house where
Manson’s followers, and Orange Sunshine, did their worst. From his yard he can
survey the whole City of Light, and he likes the symbolism of that
http://60sfurther.com/Tao-Guides-Leary-2.htm
Leary was released from prison on April 21, 1976 by Governor Jerry Brown.
The image of his ostensible betrayal still fresh in the eyes of most of his old
base, he briefly contemplated a return to mainstream academia, but his
applications were ignored, ushering in a period of despondent alcoholism and
bitter fighting with Joanna. After briefly relocating to San Diego, he left
Joanna after she became pregnant with what may or may not have been his child
(she professed to sleeping with another man earlier on the day of conception;
Leary refused to take a paternity test).
Loading his few possessions into a Ford Pinto, Leary established residence in
Laurel Canyon and commenced the final phase of his career as a lecturer and (by
his own terminology) "stand up philosopher". In 1978, he married
filmmaker Barbara Blum and raised her young son as his own; they would divorce
in 1993.
Canyon
of Dreams: The Magic and the Music of Laurel Canyon By Harvey Kubernik, Scott
Calamar, Lou Adler
Elliot Mintz arrived in L.A. in 1963...
The point is:
http://www.imdb.com/title/tt0062395/
The Trip (II) (1967)
Director: Roger Corman
Writer: Jack Nicholson
Stars: Peter Fonda, Susan Strasberg and Bruce Dern [ and Dennis Hopper ]
Think "The Shining" and then Fonda/Hopper/Nicholson go onto make
"the Hit" "Easy Rider" in 1969
Easy Rider trailer
http://www.youtube.com/watch?v=nIfUD70yvz8
Dennis Hopper and Brooke Hayward's house burned down way back when Just
like many others in the L.C.
Hopper recalls this tidbit in this interview below as well as how his
father ( an OSS officer) "fought with Mao" ..... Interesting
since we now know that the CIA help put Mao in.
Once Upon a Time in L.A.
http://www.vanityfair.com/hollywood/classic/features/making-of-easy-rider-200109
Wow... that fits in with: Mao
was a Yale Man - Yali and the Skull and Bones
I need to dig deeper on this....
http://www.vanityfair.com/hollywood/classic/features/making-of-easy-rider-200109
...
D.H. That was it! My father had all these things he had brought back from
China, when he fought with Mao.
He was there for three months with 40 other Americans.
He went around and bought all these incredible tapestries that were really
old—500 years, 600 years, thousands of years old.
| - - - - - - -
http://www.askmen.com/entertainment/special_feature_400/478_dennis-hopper-5-things-you-didnt-know.html
Dennis Hopper is that his dad was a spy and his mom, an embittered
champion athlete.
Dennis Hopper's father, Jay, worked for the Office of Strategic Services (OSS),
the well-known precursor to the CIA, in China, India and parts of Southeast Asia
during the war. Later, while the family lived in San Diego, Jay Hopper went
to work for the United States Postal Service. His mother, Marjorie, meanwhile,
was a lifeguard instructor.
When the family lived in Kansas, Marjorie was the state backstroke champion.
According to Andrew Billen, interviewing Hopper in 2001 for The Evening
Standard, she was supposed to go to Hitler's Berlin in 1936 to swim in the
Summer Olympics. Her pregnancy with Dennis prevented it, something she never
let her son forget
http://www.bbc.co.uk/news/entertainment-arts-12170381
Dennis Hopper's Warhol print sells for $302,500 - 12 January 2011
Warhol's Mao print sold for more than 10 times its estimate
Hopper art collection up for sale Hopper artwork 'to sell for $13m'
An Andy Warhol portrait of Chairman Mao owned by the late Easy Rider star
Dennis Hopper has sold for $302,500 (£193,000) at a New York auction
http://www.imdb.com/title/tt0062395/
The Trip (II) (1967)
Director: Roger Corman
Writer: Jack Nicholson
Stars:Peter Fonda, Susan Strasberg and Bruce Dern [ AND Dennis
Hopper ]
http://www.telegraph.co.uk/news/celebritynews/8528327/Cannes-2011-Peter-Fonda-encourages-his-grandchildren-to-take-up-arms-against-President-Barack-Obama.html
Cannes 2011: Peter Fonda encourages his grandchildren to take up arms against
President Barack Obama
Richard Eden 6:28AM BST 22 May 2011
Peter Fonda, the star of Easy Rider, says he is training his grandchildren to
use rifles for a conflict with President Barack Obama.
...
"There’s no room any more for sissy's and, like I said, don’t
forget that I’ve got grandsons who I’ve trained with long-distance
rifles. We have to run like mofos to change this world.”
Ain't it strange how old "Rock Bottom" pops up just after we
were all discussing him....hmmmmm
Just Kidding...sort of [ "Fonda" means bottom and Peter is
the "Rock" so Rock Bottom]
http://www.imdb.com/title/tt0062395/
The Trip (II) (1967)
Director: Roger Corman Writer: Jack Nicholson Stars:Peter Fonda, Susan
Strasberg and Bruce Dern [ AND Dennis Hopper ]
Another interesting film made the next year was Psych-Out (1968) Again
with Jack Nicholson and Susan Strasberg and Bruce Dern
http://www.imdb.com/title/tt0063469/
Psych_out
Trailer
Director: Richard Rush
Writers: Betty Tusher (screenplay), Betty Ulius, and 3 more credits »
Stars:Susan Strasberg, Dean Stockwell and Jack Nicholson and (Bruce
Dern again)
Jack Nicholson played: Stoney
Jenny, a deaf runaway who has just arrived in San Francisco's Haight-Ashbury
district to find her long-lost brother, a mysterious bearded sculptor known
around town as The Seeker. She falls in with a psychedelic band, Mumblin' Jim,
whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in
their crash pad, a Victorian house crowded with love beads and necking couples.
Mumblin' Jim's truth-seeking friend Dave considers the band's pursuit of success
"playing games," but he agrees to help Jennie anyway.
Strazberg died in 1999 here's part of her Obit...
http://www.independent.co.uk/arts-entertainment/obituary-susan-strasberg-1076156.html
...
Disappointed in her career, Strasberg began to use a variety of drugs, and in
1965, despite having once said, "I'd rather not marry an actor because
there isn't room in the house for two egos", she married the quixotic young
actor Christopher Jones, who was taking LSD. The couple had a daughter,
Jennifer, who was born with a congenital birth defect which the actress blamed
on the drug-taking. Strasberg and Jones were divorced after just one year of
marriage.
She returned to England to appear as Dirk Bogarde's love interest in Ralph
Thomas's story of anti- British terrorists in 1954 Cyprus, The High Bright Sun
(1966), after which her film career became undistinguished, including some youth
exploitation movies for American International (The Trip, Psych-Out) and
some films in Italy, where she lived for a while, becoming noted for the poker
sessions she held in her large apartment. ("At the beginning, when they
thought me a novice, I cleaned out a couple of the boys," she remarked
later.)
An independently produced horror film, Who Fears The Devil? (1973), has
acquired a cult reputation as an off-beat tale of hill-billies battling the
devil, but The Manitou (1978), in which Strasberg sprouted a foetus on
her neck, wasted her talents along with those of such veterans as Tony
Curtis, Ann Sothern and Burgess Meredith. Her most prolific work was on
television, with countless guest appearances in shows including McMillan and
Wife, Streets of San Francisco, The Rockford Files, Cagney and Lacey and Murder
She Wrote. In 1980 she wrote an autobiography, Bitter Sweet, because, she said
later, her career was "stalled":
http://en.wikipedia.org/wiki/Wild_in_the_Streets
Wild in the Streets is a 1968 film featuring Christopher Jones, Hal
Holbrook, and Shelley Winters. It was produced by American International
Pictures and based on a short story by writer Robert Thom. The movie, described
as both "ludicrous" and "cautionary," was nominated for
an Academy Award and became a cult classic.
Thirty becomes a mandatory retirement age, while those over 35 are
rounded up, sent to "re-education camps", and permanently dosed on LSD
http://www.perfectpeople.net/article/1276/5641406/christopher-jones/lsd-internment-camps-ndp-youthquake-has-scary-pop-culture-precedents.htm
Christopher Jones Article
LSD internment camps? NDP “youthquake” has scary pop culture
precedents. Check out this picture >>
In the 1968 cult film Wild in the Streets, Christopher Jones plays a 22-year
old rock star who ? bolstered by a nation of youthful baby boomers ?
improbably becomes president of the United States and declares war on everyone
over 30
[oh - Everyone over thirty gets sent to an LSD concentration camp ]
http://community-2.webtv.net/STARSTATUS/CHRISJONES/page2.html
http://www.ioffer.com/i/christopher-jones-richard-pryor-in-wild-in-the-streets-186979842
CHRISTOPHER JONES, SHELLEY WINTERS, HAL HOLBROOK and RICHARD PRYOR in
“WILD IN THE STREETS”
A rock star decides he'd rather rule the free world than just sell records in
this ambitious fusion of political satire and teen exploitation. Teenage rebel
Max Flatow (Christopher Jones) has grown tired of life in suburbia with his
domineering mother (Shelley Winters) and weak-willed father (Bert Freed), and,
having saved up 800 dollars he earned by selling home-brewed LSD to his
schoolmates, he blows up the family car with a makeshift bomb and strikes out on
his own.
A few years later, Max has adopted the name Max Frost, and is one of the world's
biggest rock stars, selling millions of records and earning a fortune from
concert appearances and music publishing. Max has learned firsthand about the
buying power of America's youth, and when Sen. John Fergis (Hal Holbrook) asks
Max to appear at a "youth rally" to mobilize younger voters, he
realizes the kids could also sway an election if they wanted.
At Fergis' rally, Max debuts a new song, "Fourteen or Fight," which
demands the voting age be reduced to 14; the youth respond by rising up in
support of Max's demands, reducing many American cities to a standstill. As
political leaders bow to public pressure, the age of suffrage is reduced to 15,
but rather than choosing candidates to support, Max decides it's time he and his
inner circle took control.
After Max doses Washington, D.C.'s water supply with LSD, congress votes to
make any registered voter eligible to hold federal office, and before long Max
Frost has become president of the United States.
Once in office, Max unveils a bold plan to once and for all do something about
people over 30 -- including his parents. American International Pictures
took the rather bold step with this film of biting the hand that fed them--their
target audience was always teenagers, and in this film the teenagers and young
adults are not portrayed as desirable role models at all. The motives of
the principals, especially Max Frost, are purely self-serving and hedonistic, to
the detriment of everyone, ultimately including themselves. In a way, Wild
in the Streets is a truly frightening film, a very, very cautionary fable in
which absolute power does corrupt absolutely. Wild in the Streets features
an early screen appearance from Richard Pryor as drummer and political activist
Stanley X, while media personalities Dick Clark, Walter Winchell, Army Archerd,
and Melvin Belli portray themselves. Barry Mann and Cynthia Weil wrote the
all-original songs for fictional rockers "Max Frost and the Troopers,"
including the Top 40 hit single "The Shape of Things to Come."
A touchstone of the Sixties that still resonates.
youtube
- Wild in the Streets 1968 Movie
Christopher Jones stars as rock singer and aspiring revolutionary Max Frost
(born Max Jacob Flatow Jr.; his first public act of violence was blowing up his
family's new car).
Frost's band The Troopers live together with him, their women, and others in
a sprawling Los Angeles mansion.
The band includes his 15-year-old genius attorney Billy Cage (Kevin Coughlin) on
lead guitar, ex-child actor/girlfriend Sally LeRoy (Diane Varsi) on keyboards,
hook-handed Abraham Salteen (Larry Bishop) on bass guitar and trumpet, and anthropologist
Stanley X (Richard Pryor) on drums.
When Max is asked to sing at a televised political rally by Kennedyesque Senate
candidate Johnny Fergus (Hal Holbrook), who's running on a platform to lower the
voting age from 21 to 18 (a genuine issue, not passed until 1971), he and the
Troopers appear — but Max stuns everyone by calling instead for the voting age
to become 14, then finishes the show with an improvised song, "Fourteen Or
Fight!", and a call for a demonstration.
Max's fans (and other young people, by the thousands) stir to action, and within
24 hours protests have begun in cities around the United States. Fergus'
advisors want him to denounce Max, but instead he agrees to support the
demonstrations, and change his campaign — if Max and his group will
compromise, accept a voting age of 15 instead, abide by the law, and appeal to
the demonstrators to go home peaceably. Max agrees, and the two appear together
on television, and in person the next day using the less offensive mantra
"Fifteen and Ready".
Most states agree to lower the voting age within days, in the wake of the
demonstrations, and Max Frost and the Troopers campaign for Johnny Fergus until
the election, which he wins by a landslide. Taking his place in the Senate,
Fergus wishes Frost and his people would now just go away, but instead they get
involved with Washington politics. When a Congressman from Sally LeRoy's home
district dies suddenly, the band enters her in the special election that
follows, and Sally (the eldest of the group, and the only one of majority age to
run for office) is voted into Congress by the new teen bloc.
The first bill Sally introduces is a Constitutional amendment to lower the age
requirements for national political office — to 14, and "Fourteen Or
Fight!" enters a new phase. A joint session of Congress is called, and
the Troopers (by now joined by Fergus' son Jimmy, played by Michael Margotta)
swing the vote their way by spiking the Washington water supply with LSD, and
providing all the Senators and Representatives with teenaged guides.
As teens either take over or threaten the reins of government, the Old Guard
(those over 30) turn to Max to run for President, and assert his (their) control
over the changing tide. Max again agrees, running as a Republican to his
chagrin, but once in office, he turns the tide on his older supporters.
Thirty becomes a mandatory retirement age, while those over 35 are rounded
up, sent to "re-education camps", and permanently dosed on LSD.
Fergus unsuccessfully attempts to dissuade Max by contacting his estranged
parents (Bert Freed and Shelley Winters), then tries to assassinate him. Failing
at this, he flees Washington with his remaining family, but they are soon
rounded up.
With youth now in control of the United States, politically as well as
economically, and similar revolutions breaking out in all the world's major
countries, Max withdraws the military from around the world (turning them
instead into de facto age police), puts computers and prodigies in charge of the
Gross National Product, ships surplus grain for free to third world nations,
disbands the FBI and Secret Service, and becomes the leader of "the most
truly hedonistic society the world has ever known".
The final moments of the film indicate, however, that Max and his cohorts may
face future intergenerational warfare from an unexpected source.
Miki Dora has some interesting connections. he openly talked about The
Federal Reserve and the New World Order in the 50's and felt that that the U.S. government
was behind everything under the sun. This was his excuse for being one of the
biggest con-artists in history. His step father who taught him to surf worked
for Boeing. And he liked to dress up like a Nazi which is I am guessing where
the who 50's ed roth Iron cross nazi car club thing meshed wih surfing. This
book is very detailed from the LA times below.
The Hungarian-born Dora was taught sword fighting as a child by Errol Flynn;
he was at the Ambassador Hotel when Robert F. Kennedy was shot; and after
leading the FBI on a seven-year international chase, he spent time in prison
alongside Charles Manson.
| - - - -
Beach blanket Babylon
All for a Few Perfect Waves The Audacious Life and Legend of Rebel Surfer Miki
Dora David Rensin HarperEntertainment: 476 pp., $25.95
June 22, 2008|Steven Kotler | Steven Kotler is the author of "West of
Jesus: Surfing, Science, and the Origins of Belief."
Miki DORA has been called many things: "Kerouac in board shorts"
(the London Times); "a deconstructor of the American dream"
(Surfer magazine); and "the Bob Dylan of surf culture" (surfing
writer Drew Kampion). He's also been called an "outlaw" and a
"prophet" and compared to Elvis, Muhammad Ali and Jack Nicholson, the
latter specifically and tellingly for his R.P. McMurphy role in "One Flew
Over the Cuckoo's Nest."
The Latest edition as usual Mcgowan is spot on...
http://www.davesweb.cnchost.com/nwsltr110.html
Inside The LC: The Strange but Mostly True Story of Laurel Canyon and the Birth
of the Hippie Generation
Part XVIII
May 26, 2011
“Our music was far from political or antiwar … I never felt comfortable with
political advocacy.”
John Phillips
“There were no political speeches or overt protest songs performed.”
John Phillips, discussing the Monterey Pop Festival, of which he was a key
organizer
Thus far on this journey, we have seen how what are arguably the two most bloody
and notorious mass murders in the history of the City of Angels – the Manson
Family murders of the occupants of the home on Cielo Drive in Benedict Canyon,
and the so-called Four-On-The-Floor bludgeoning murders of four Laurel Canyon
drug dealers on Wonderland Avenue – were directly connected to the Laurel
Canyon music scene.
But the city of Los Angeles can boast of one other particularly notorious
murder, which stands to this day as both the most gruesome single-victim murder
and the most famous unsolved murder in the city’s history.
On January 15, 1947, the mutilated body of aspiring actress Elizabeth Short was
found posed in a field. The ritualistically butchered body was nude, sliced
cleanly in half, and completely drained of blood. Parts of the body had been
removed, after which the corpse had been thoroughly sanitized. Bruising clearly
indicated that the young girl had been savagely beaten. Forensic evidence
suggested that she had been forced to eat feces during her tortuous ordeal. She
was quickly dubbed the ‘Black Dahlia,’ and it is by that name that she is
known and written about today.
Much of what has been written about the brief life of Ms. Short is
contradictory. Among the facts that seem to be agreed upon is that she had
recently worked at a military facility that is now known as Vandenberg Air Force
Base, and that she had some kind of close connection to a US Naval hospital in
San Diego, where she may have also worked. That is, in any event, what she had
indicated in a letter to her mother.
This murder occurred some twenty years before Laurel Canyon’s glory days. It
would seem rather foolish then to suggest that all three of Los Angeles’ most
notorious murder cases were connected to the peace-and-love scene flowering in
Laurel Canyon in the 1960s and 1970s. But that is, nevertheless, exactly what I
am going to do. It is, admittedly, an indirect connection, and, since the case
remains officially unsolved, it is a tentative one as well, but it is a
connection nonetheless.
For those who are unfamiliar with the Black Dahlia murder, or who have only read
about the case and never actually seen the brutality inflicted upon Ms. Short,
please be advised that you are about to see for yourself just how barbaric this
crime was. The images are absolutely horrifying – but that is, unfortunately,
what elite ritualized crime looks like. You have been warned.
* * * * * * * * * * * *
“John [Phillips] was the ultimate controller.”
Mamas and the Papas producer/manager Lou Adler
“She was practically his slave.”
Michelle Phillips, describing John’s third wife, Genevieve Waite
Our story begins on August 30, 1935, with the birth of John Edmund Andrew
Phillips to parents Claude and Edna Phillips. Claude was a retired Marine Corps
officer and engineer. His father, John Andrew Phillips, a prominent architect,
one day “mysteriously fell to his death” on a construction site, according
to John Phillips’ autobiography, Papa John. That kind of thing tends to happen
to family members of people associated with Laurel Canyon.
John’s mother, Edna, had what most folks would consider a rather
unconventional upbringing. Her mother was a psychic/faith healer, and many of
her eleven siblings were well known locally as gunfighters and bandits. When
Edna was just a year old, she was – and I am neither making this up nor
stealing it from the plot of some hack Hollywood film – purportedly kidnapped
by Gypsies! Her father allegedly found her a year later down in Mexico. How he
would have done so remains something of a mystery (though I’m guessing that
maybe he had some help from Albert DeSalvo’s mother, who supposedly likewise
tracked down young Albert after his father had sold him to a farmer as a slave;
have I mentioned lately, by the way, that to fully understand the Laurel Canyon
story, you really need to read Programmed to Kill?).
Edna was just fifteen when she met and began a relationship with Claude
Phillips, who according to legend had supposedly won an Oklahoma bar from a
fellow serviceman in a poker game on the way home from France at the close of
World War II – which seems about as credible as various other aspects of
Phillips family history,as told by John. By eighteen, Edna had given birth to
the couple’s first child, Rosie Phillips, born on New Year’s Eve, 1922.
Rosie would later become a career employee of the Pentagon, where John’s first
wife, the daughter of an intelligence operative, would also find work. Years
later, according to John, Rosie’s daughter Patty would be “found dead of an
overdose in a girlfriend’s apartment in North Hollywood … There were
mysterious questions surrounding her death.” As I just noted a few paragraphs
back, that kind of thing tends to happen.
In the late 1920s, Claude Phillips was commissioned to Haiti, where he remained
for four years. He was then sent back to Quantico, then shipped off to Managua,
Nicaragua, before finally returning to Alexandria, Virginia, where John
Phillips, who would grow up to become arguably the most important music figure
in the canyon, grew up and went to school.
John attended a series of strict Catholic and military schools and served as an
altar boy. According to his own account though, he also had a darker side, which
included forays into vandalism, auto theft, breaking and entering, fighting, and
other assorted mischief. His mother, meanwhile, routinely cruised for men –
when not spending time with a US Army Colonel named George Lacy. John would
later be told that his real father was a US Marine Corps doctor named Roland
Meeks, who died in a Japanese POW camp during WWII.
Phillips played basketball at George Washington High School, from where he
graduated in 1953. He then scored an appointment to Annapolis Naval Academy, but
soon dropped out. One of his first paying jobs was working on a fishing charter
boat. As John later recalled it, the crew consisted of him, a retired Navy
officer, and four retired Army generals. Seems like a perfect fit for one of the
future guiding lights of the hippie movement. Phillips also, for a brief time,
tried his hand at selling cemetery plots.
As previously noted, John’s first wife was the aristocratic Susie Adams,
descendent of President John Adams and occasional practitioner of voodoo. Their
first son, Jeffrey, was born on Friday the 13th in December of 1957. Shortly
after that, John found himself in, of all places, Havana, Cuba, just as it was
about to fall to the revolutionary forces of Fidel Castro. According to
Phillips, he and his traveling companions “were once whisked off the street by
a director, straight into a TV studio to appear on a live Havana variety
show.”
Many of you, I’m sure, have had a similar experience.
Some months later, in late 1958, Phillips flew to Los Angeles and began
performing on amateur nights at Pandora’s Box on the legendary Sunset Strip.
His first band, The Journeymen, featured Phillips, Scott McKenzie and Dick
Weismann. It was while touring with this formation that John Phillips met a very
young Holly Michelle Gilliam.
Michelle was born November 10, 1944 in Long Beach, California, to a father
variously described as a merchant mariner, a movie production assistant, and a
self-taught intellectual. When Michelle’s mother, a Baptist minister’s
daughter, reportedly died of a brain aneurysm when Michelle was just five,
Gardner “Gil” Gilliam took his daughters and promptly relocated to Mexico,
ostensibly to attend college on the GI Bill. They remained there for several
years. Upon their return to Southern California, Gil found work as an LA County
probation officer. According to John, Gil’s work “often required him to go
out of town,” though one would think that that would make it rather difficult
for him to keep tabs on his charges.
In 1958, while future-husband John was vacationing in war-torn Cuba, Michelle
found a new mother-figure in twenty-three-year-old Tamar Hodel. Tamar’s
father, Dr. George Hodel, was described by Vanity Fair in December 2007 as
“the most pathologically decadent man in Los Angeles” and “the city’s
venereal-disease czar and a fixture in it’s A-list demimonde.” Also noted in
the article was that “George Hodel shared with Man Ray a love for the work of
the Marquis de Sade and the belief that the pursuit of personal liberty was
worth everything.” In other words, Hodel embraced that all-purpose Luciferian
creed, “Do what thou wilt.”
Tamar and her siblings had “grown up in her father’s Hollywood house, which
resembled a Mayan temple, was designed by Frank Lloyd Wright’s son, and was
the site of wild parties, in which Hodel was sometimes joined by director John
Huston and photographer Man Ray.” The luxurious home (pictured here as it
looks today) reportedly features, among other amenities, a subterranean walk-in
vault, which is always a nice thing to have around.
Within the walls of that singularly odd Hollywood Hills home, which lies about
three miles due east of the mouth of Laurel Canyon, Tamar talks of how she
“often ‘uncomfortably’ posed nude … for ‘dirty-old-man’ Man Ray and
had once wriggled free from a predatory John Huston.” Her own father, not so
shockingly, “had committed incest with her. ‘When I was 11, my father taught
me to perform oral sex on him.’” Her father also “plied her with erotic
books, grooming her for what he touted as their transcendent union,” and
freely shared her with his wealthy and influential friends.
“To the girl’s horror, she became pregnant” at the tender age of fourteen
– with her father’s child. “To her greater horror, she says, ‘my father
wanted me to have his baby.’” A friend, nevertheless, took her to get an
abortion. Dr. George was so incensed that, according to Tamar, he “struck her
on the head with his pistol,” prompting her step-mother (who also happened to
be John Huston’s ex-wife) to assist her in going into hiding.
Dr. George Hodel was arrested and charged with, among other things, offering his
young daughter to several friends at an orgy. The sensational 1949 incest trial
featured a witness who took the stand to describe being hypnotized by Hodel at a
party; she also claimed that she had witnessed him attempt to hypnotize other
young women.
Allegations that the rich and powerful were dabbling in incest, hypnotism/mind
control, pedophilic orgies, and Luciferian philosophies must surely have been
shocking to Angelenos in the 1940s, as they would still be to most Americans
today, but to these jaded eyes and ears, it just sounds like business as usual.
Also sounding like business as usual is that Tamar was roundly vilified by both
the press and the defense team (led by Jerry Giesler), and Dr. George Hodel was
acquitted.
Far more shocking even than all of that is the then-unknown fact that, even
while Hodel was standing trial on the sensational charges, he was, and still is
today, a prime suspect in the Black Dahlia murder case! There have been, of
course, numerous suspects identified in the case, including actor/director Orson
Welles. But George Hodel does seem to be a much more likely suspect than most of
those who have been identified. And his possible guilt, needless to say, does
not exclude others from likely complicity as well. The mistake that virtually
all investigators of this case have made is assuming that there is only one
culprit.
The most likely scenario is that Hodel committed the crime in conjunction with
various others in his pedophilic, Luciferian social circle. Man Ray, for
example, is a compelling suspect, given that the posing of Ms. Short’s body
appears to mimic The Minotaur, one of his better-known photographs. Man Ray, by
the way, was something of the Robert Mapplethorpe of his era – the same Robert
Mapplethorpe, it should be noted, whom investigative journalist Maury Terry has
similarly linked to the Son of Sam case and various other ritualized murders
(for more on George Hodel, Man Ray and the Black Dahlia murder, see Black Dahlia
Avenger by Steve Hodel [George’s son and a former LAPD homicide detective] and
Exquisite Corpse by Mark Nelson and Sarah Hudson Bayliss).
How it is that the fourteen-year-old daughter of a lowly probation officer fell
into the orbit of the daughter of the wealthy and influential George Hodel (Hodel’s
former home is currently valued at $4.2 million) has never been explained, but
Tamar, described by Michelle as “the epitome of glamour,” quickly took the
youngster under her wing, buying her clothes, enrolling her in modeling school,
teaching her to drive, and providing her with a fake ID and a steady stream of
prescription drugs – obtained, one would presume, from her father.
According to Michelle, “Tamar put on perfect airs around my dad and when it
became necessary she would sleep with him.” Whatever works, I guess. That
perhaps explains why, in early 1961, Gil didn’t have a problem with allowing
his underage daughter to move to San Francisco with the daughter of a violent
pedophile. Soon enough, Tamar found herself in a relationship with Journeyman
Scott McKenzie, and bandmate John Phillips began coming by Tamar and
Michelle’s room on a nightly basis.
It wasn’t long before Michelle, still just seventeen, was romantically
involved with twenty-six-year-old Phillips, despite the fact that John was still
married to Adams, with whom he by then had two children, Laura MacKenzie
Phillips having been born on November 10, 1959 in Alexandria. Father Gil, who
had himself recently taken a sixteen-year-old bride (one of a string of six
wives), still wasn’t concerned. And it’s probably safe to assume that
Phillip’s father, who had pursued his bride when she was just fifteen,
wouldn’t have been too concerned either.
In October 1962, a year or so after meeting Michelle, John curiously found
himself in Jacksonville, Florida (alongside Naval Air Station Jacksonville and
Naval Station Mayport) for “two weeks of rest and rehearsal” during the
Cuban Missile Crisis. For a guy who “never felt comfortable with political
advocacy,” John seems to have had a keen interest in Cuban affairs. Two months
later, on New Years Eve 1962, Holly Michelle Gilliam became John Phillip’s
second wife. She also joined his reconfigured band, as did Canadian Denny
Doherty, who had formerly been with the Mugwumps alongside Cass Elliot. This new
lineup was dubbed the New Journeymen.
The newly-formed trio promptly embarked on a curious Caribbean adventure,
arriving first at St. Johns, where John has claimed that they “snorkeled on
acid” for several weeks. They next ferried over to St. Thomas, where they set
up camp at a dive beachfront boardinghouse known as Duffy’s. Soon enough,
Ellen Naomi Cohen, better known as Cass Elliot, showed up with John’s nephew,
who was a childhood friend of hers. Cass had been born in Baltimore but had
grown up in Alexandria, where, like Phillips, she had attended George Washington
High School.
As the legend goes, Cass waited tables at the dive while the trio performed folk
songs. What they were really doing there remains something of a mystery, though
in Papa John, Phillips did drop a clue: “The town was crawling with drunken
Marines and sailors on their way home from Vietnam.”
Moving on from the boardinghouse, the group next took over an unfinished home on
Creeque Alley, where, according to John, they were known as “the island’s
open house and everyone was welcome to our commune.” At some point though the
governor supposedly ordered them off the island “because he thought his nephew
was doing drugs with the crazies at Creeque Alley.” The band had formalized
its new lineup of John Phillips, Michelle Phillips, Denny Doherty and Cass
Elliot, and they had a whole album’s worth of material written. That first
album would feature such enduring classics as California Dreamin’, Monday,
Monday, and Go Where You Wanna Go. On none of the bands subsequent albums would
they produce anywhere near the level of songwriting that they were allegedly
able to achieve on that Caribbean adventure.
Though isolated on that Caribbean island, the songs the group brought back to LA
with them just happened to be of the soon-to-emerge folk-rock variety. In Papa
John, Phillips quotes Doherty as saying that everyone was “evolving toward the
same sound at the same time without really communicating with each other about
it.” It was, I suppose, just the way things were fated to be – or it could
be that everyone was following the same script, written by unseen others.
Before helping to spearhead the folk-rock movement though, the quartet first had
to get off the island, which Phillips presents as a high-risk venture: “We
tried to get off the island quietly. We split in groups at the airport to look
inconspicuous … We went at night so there wouldn’t be any credit checks done
on me.”
Within a month of arriving in LA, the band had a producer/manager (Lou Adler, a
Jewish kid who had grown up in a tough, Hispanic section of East LA) and a
record deal, and John and Michelle were at home in a comfortable house on
Lookout Mountain in Laurel Canyon. They would soon be able to afford to purchase
Jeanette McDonald’s former Bel Air mansion at 783 Bel Air Road, which featured
“hand-carved wooden gargoyles” and “a walk-in vault beneath the house,”
which, as I already mentioned, is a very handy feature. Sitting on five acres,
the lavish home, with five Rolls Royces in the driveway, was the site of
virtually nonstop partying.
The new lineup, of course, needed a name, and John pushed hard for the
occult-based Magic Cyrcle, which the band was briefly known as before ultimately
settling on The Mamas and the Papas. There would be other indications as well
that Phillips had a keen interest in the occult. He would later, for example,
start his own label and call it Warlock Records. And his third wife, Genevieve
Waite, was an avid follower of Aleister Crowley.
The Mamas and the Papas proved to be a rather short-lived band, recording and
performing just from 1965 to 1968 (with a brief reunion in 1971 to satisfy
contractual obligations to their record company). During that time, the band
produced five albums and eleven top 40 singles. To date, the lineup has sold
nearly 100,000,000 albums.
The first single, released in 1965, was Go Where You Wanna Go, which failed to
chart. Their next release, California Dreamin’, shot up to #4. Their freshman
album, If You Can Believe Your Eyes and Ears, released in early 1966, rose to
the very top of the charts, their only album to do so. Their only #1 single,
Monday, Monday, followed the release of the album. It was all downhill from
there.
While recording their second album in June 1966, Michelle was discharged from
the band due to the fact that she was having an affair with Denny Doherty, which
was causing severe friction in the group. By August, she was back, though that
didn’t prevent the group’s second album from performing rather poorly. The
third, recorded in 1967 and ironically entitled Deliver, failed to live up to
its name. Then in June of that year, The Mamas and the Papas delivered a closing
set at the Monterey Pop Festival that almost everyone agrees sucked ass.
It wasn’t hard though for the band to score that coveted closing slot, given
that Phillips had played a key role in organizing the event. Monterey proved to
be, according to Barney Hoskyns, the “moment when the underground went
mainstream.” As Rolling Stone noted in its Fortieth Anniversary Edition,
“The plan for a new kind of festival was spearheaded by John Phillips, the
leader of the Mamas and the Papas, and Lou Adler, an influential producer and
the band’s manager.” Also noted was that the “road to Monterey began with
Alan Pariser, a young heir to a paper-manufacturing fortune,” just as the road
to Woodstock began with John Roberts, a young heir to a pharmaceutical
manufacturing fortune, but that’s another story entirely.
Two months after Monterey, the band made their final television appearance on
the Ed Sullivan Show. Two months after that, the quartet headed off to Europe
while recording their fourth album, The Papas and the Mamas. That album’s
first single was the Laurel Canyon-inspired 12:30 (Young Girls are Coming to the
Canyon). Shortly thereafter, the band broke up. John tried his hand at a solo
career with the wildly unsuccessful result being the release of The Wolf King of
LA. To satisfy record label demands, the group briefly reformed for their fourth
album, People Like Us.
Following that unsuccessful venture, the band once again dissolved.
to be continued …
HOME http://www.davesweb.cnchost.com/
The Mansion is a 10-bedroom mansion owned by famed music producer Rick Rubin
in the Laurel Canyon area of Los Angeles, originally built in 1918. After
recording the Red Hot Chili Peppers' Blood Sugar Sex Magik with considerable
ease and comfort, Rubin decided to record many of the albums he has produced
here, including; the Red Hot Chili Peppers' Stadium Arcadium, Audioslave's Out
of Exile, The Mars Volta's De-Loused in the Comatorium, Slipknot's Vol. 3: (The
Subliminal Verses), and Linkin Park's Minutes to Midnight
Since 1991, the Red Hot Chili Peppers have returned to the mansion on numerous
occasions; the tracks "Fortune Faded" and "Save the
Population" on the Red Hot Chili Peppers 2003 Greatest Hits compilation,
and more recently, the group's 2006 album, Stadium Arcadium were recorded in the
mansion. The mansion can also be seen on the Red Hot Chili Peppers' Funky Monks
DVD (released 1991), the making of Minutes to Midnight DVD, and in a series of
eight clips uploaded to LCD Soundsystem's official YouTube channel documenting
the creation of This Is Happening
In the 1960s and 70s many famous artists such as Mick Jagger, David Bowie, Jimi
Hendrix and The Beatles stayed there.[citation needed]
The house was owned by Errol Flynn in the late 1930's. It is just north of a
house a that was rented by Harry Houdini for roughly one year around 1919.
[edit] Haunting rumors
The mansion is rumored to be haunted. Artists such as the Mars Volta's Cedric
Bixler Zavala have reported doors opening when they are known to have been
previously closed.[1] Zavala also cited one room, the bell tower, that the band
chose to avoid while living there.
The nine-piece metal band Slipknot reported experiencing a number of unusual
events while living there during the recording of their album Vol. 3: (The
Subliminal Verses). Drummer Joey Jordison claimed to have had an unsettling
experience in the basement when he felt something walk through him and
subsequently never went down there again. Also, Singer Corey Taylor took
pictures of two orbs hovering near the thermostat in his room that changed the
temperature.[2] System of a Down's guitarist Daron Malakian, said that everyday
around 4 o' clock, his amp tubes would act weird.
It is rumored that the house has been haunted since 1918, when the son of a
furniture store owner pushed his lover from the balcony.[3] The mansion is
actually built on the grounds of the old mansion that burned down in the late
1950s and wasn't rebuilt until years later to be used as a recording arts
studio. Also, during the recording of the Red Hot Chili Peppers: Blood Sugar Sex
Magik, more unusual things occurred. Consequently, drummer Chad Smith chose to
not live in the house during the recording. The BSSM album art also features a
photograph of a strange orb or face captured during a group photograph, which
the band suggests might have been a spirit at the mansion.
The Mansion also appears in the second season of Showtime's Californication, in
which the owner of the house is Lew Ashby, a famous record producer (played by
Callum Keith Rennie) living alone in his ivory tower. Also referred in the TV
Show as "Ashby's Den of Iniquity". Dave Navarro and Carmen Electra
visited the mansion during their MTV reality show "Til Death Do Us
Part".
Recordings at the Mansion
Band or artist Album(s) and/or song(s) Year(s)
of recording
Red Hot Chili Peppers Blood Sugar Sex Magik 1991
Marilyn Manson Holy Wood (In the Shadow of the Valley of
Death) 1999 - 2000
American Head Charge The War of Art 2000 -
2001
The Mars Volta De-Loused in the Comatorium 2002
- 2003
Red Hot Chili Peppers "Fortune Faded" &
"Save the Population" (from the sessions of an as yet, unreleased
album) 2003
Slipknot Vol. 3: (The Subliminal Verses) 2003
System of a Down Mezmerize & Hypnotize 2004
Ours Dancing for the Death of an Imaginary Enemy
2005
Red Hot Chili Peppers Stadium Arcadium 2005
Linkin Park Minutes to Midnight 2006 - 2007
Maroon 5 It Won't Be Soon Before Long 2006 -
2007
LCD Soundsystem This Is Happening
Eliot Smith's Death
From The Smoking Gun
2004
JANUARY 8--Los Angeles investigators probing the recent stabbing death of alt
rocker Elliott Smith could not classify the incident as a suicide because
several aspects of the knifing were not consistent with suicide and "raise
the possibility of homicide." According to the below autopsy report, police
discovered what appeared to be a suicide note--written on a Post-it note--when
they responded to his home on October 21. "I'm so sorry-love, Elliot God
forgive me," the note read, according to the report (a coroner's official
told TSG that Smith's first name was misspelled in the report). And, the report
concludes, Smith's history of depression and the "location and
direction" of two stab wounds "are consistent with
self-infliction." However, other aspects of Smith's death have caused
investigators to wonder whether the performer was killed. The autopsy report
cited the absence of "hesitation wounds," the presence of
"possible defensive wounds," and "stabbing through clothing"
as atypical of suicide. In addition, the actions of Smith's live-in girlfriend,
musician Jennifer Chiba, were of concern to investigators. Chiba initially told
cops that she had argued with Smith, 34, in their home and, at one point, locked
herself in the bathroom. Chiba emerged when she heard Smith scream, and saw him
standing with "a knife sticking out of his chest." The medical
examiner noted that Chiba's "reported removal of the knife and subsequent
refusal to speak with detectives are all of concern."
| - - -
from Wikipedia
Smith died on October 21, 2003, at age 34 from two stab wounds to the chest.[2]
According to girlfriend Jennifer Chiba the two were arguing,[35] and she locked
herself in the bathroom to take a shower.[63] Chiba heard him scream, and upon
opening the door, saw Smith standing with a knife in his chest. She pulled the
knife out, after which he collapsed and she called 9-1-1. Smith died in the
hospital with the time of death listed as 1:36 p.m. While Smith's death was
originally reported as a suicide, the official autopsy report released in
December 2003 left open the question of possible homicide.[2] A possible suicide
note, written on a Post-it, read, "I'm so sorry—love, Elliott. God
forgive me."[2] The coroner's report had the name Elliott misspelled as
"Elliot," however "a coroner's official told TSG that Smith's
first name was misspelled in the report," not on the Post-it note.[2]
According to Pitchfork Media, record producer Larry Crane reported on his Tape
Op message board that he had planned to help Smith mix his album in
mid-November. Crane wrote, "I hadn't talked to Elliott in over a year. His
girlfriend, Jennifer, called me [last week] and asked if I'd like to come to
L.A. and help mix and finish [Smith's album]. I said yes, of course, and chatted
with Elliott for the first time in ages. It seems surreal that he would call me
to finish an album and then a week later kill himself. I talked to Jennifer this
morning, who was obviously shattered and in tears, and she said, 'I don't
understand, he was so healthy.'"[64]
The coroner's report revealed that no traces of illegal substances or alcohol
were found in his system at the time of his death, but did find prescribed
levels of antidepressant and ADHD medications in his system, including
Clonazepam, Mirtazapine, Atomoxetine and Amphetamine.[65] Also, no hesitation
wounds were found on Smith, a trait typical of suicide by self infliction.[35]
With his death not being officially declared a suicide, a journalist noted that
some have suspected foul play[66], but also that the authorities do not seem to
be investigating the case further.[67] Smith's body was cremated.[68] NSmith's o
public burial site or memorial was ever formally announced.
The memorial outside Solutions Audio in Los Angeles, California in August 2006.
[edit] Reaction
Shortly after Smith's death, a fan memorial was initiated outside Solutions
Audio (4334 Sunset Boulevard, Los Angeles, California), the site at which the
cover of the Figure 8 album was shot. Farewell messages to Smith were written on
the wall, and flowers, photos, candles, and empty bottles of alcohol mentioned
in Smith's songs were left.[69] Since then, the wall has been repeatedly tagged
by gang signs,[70][71] and, despite having been repainted to its original state
in February 2008 and promises from Solutions' owner to maintain the site, the
wall is now largely covered by unrelated graffiti.[72][73][74]
Memorial concerts were held in several cities in the United States and the
United Kingdom.[60] A petition was soon put forth with intent to make part of
the Silver Lake area a memorial park in Smith's honor. It received over 10,000
signatures, but no plans to establish the park have been announced.[60] A
memorial plaque located inside Smith's former high school, Lincoln High, was
hung in July 2006.[75] The plaque has the line "I'm never gonna know you
now, but I'm gonna love you anyhow," from Smith's song "Waltz
#2".
Since Smith's death, many musical acts have paid him tribute. Songs in tribute
to, or about Smith have been released by Bright Eyes ("Reinvent The
Wheel"), Backseat Goodbye ("Elliott Smith Is Still Alive" on The
Good Years), Rilo Kiley ("Ripchord" and "It Just Is" on More
Adventurous),[76] Sparta ("Bombs and Us"),[60] Third Eye Blind
("Elliott Smith (There's No Hurry To Eternity)", meant to be on
Symphony of Decay),[77] Ben Folds ("Late" on Songs for Silverman),[78]
Rhett Miller ("The Believer" on The Believer),[79] Earlimart
("Heaven Adores You" on Treble and Tremble),[80] Joan As Police Woman
("We Don't Own It" on Real Life),[81] and Pete Yorn ("Bandstand
in the Sky" on Nightcrawler, a song jointly dedicated to Jeff Buckley).
Several tribute albums have been released since his death, including Christopher
O'Riley's Home to Oblivion: An Elliott Smith Tribute.
On July 30, 2004, Jennifer Chiba filed a lawsuit against the Smith family for
15% of his earnings (over $1 million),[82] claiming that she and Smith lived as
"husband and wife",[83] that the singer pledged to take care of her
financially for the rest of her life, and that she worked as his manager and
agent from around 2000 until his death.[84] A state labor commissioner ruled her
claim as manager to be invalid, as she had worked as an "unlicensed talent
agent" under California's Talent Agencies Act. The case made it to the
California appellate court in October 2007, but was defeated 2–1; Chiba could
potentially appeal the case to the Supreme Court of California.[85]
Source:
“And when we went to Santa Fe my father took work first as a carpenter at
Los Alamos at the atomic plant and when they would bring the bombs down …
they said "there’s a sunrise in the middle of the night in New
Mexico" …” (Stephen Gaskin)
The band Coven that was back up band on many recordings and recorded the song
from th Billy Jack movie "One Tin Soldier".
http://en.wikipedia.org/wiki/Coven_(band)
An Interesting article...
http://adventofdeception.com/occult-control-music-industry/
The Latest Laurel canyon Article by Mcgowan
http://www.davesweb.cnchost.com/nwsltr111.html
Kenneth Anger: ICONS
November 1, 2011
Kenneth Anger: ICONS is a showcase of the films, archives, and vision of
one of the most original filmmakers of American cinema, on view at MOCA Grand
Avenue from November 13, 2011, through February 27, 2012. A defining presence of
underground art and culture and a major influence on generations of filmmakers,
musicians, and artists, Anger's films evoke the power of spells or incantations,
combining experimental technique with popular song, rich color, and subject
matter drawn equally from personal obsession, myth, and the occult.
MOCA's exhibition centers on Anger's Magick Lantern Cycle of films-Fireworks
(1947), Puce Moment (1949), Rabbit's Moon (1950/1979), Eaux d'artifice (1953),
Inauguration of the Pleasure Dome (1954/66), Scorpio Rising (1963), Kustom Kar
Kommandos (1965), Invocation of My Demon Brother (1969), and Lucifer Rising
(1970-81)-presenting the work across multiple projections in a unique
gallery installation of red vinyl, designed in close consultation with Anger.
"Kenneth Anger channels a world of magic, ritual, darkness, and
desire-quintessential ingredients of Hollywood," said MOCA Curator Bennett
Simpson. "His films are legendary and yet always contemporary."
Complementing the films is an archive of photographs, scrapbooks, and
memorabilia from Anger's personal collection that illustrates the filmmaker's
unique vision of Hollywood's golden era. The inspiration and source material for
the filmmaker's infamous celebrity "gossip" books Hollywood Babylon,
(1975) and Hollywood Babylon II (1984), the collection centers on stars such as
Rudolph Valentino and Greta Garbo, as well as now lesser-known icons like
silent-film actress Billie Dove. Anger grew up in Hollywood. His grandmother was
a costume mistress, and he is claimed to have appeared as a child actor in the
Warner Brothers production of A Midsummer Night's Dream (1935). The world of the
classic studios and the mystique of its major figures radiates throughout the
photographs, press clippings, letters, and memorabilia on display, which Anger
has gathered across many decades
Jim Morrison's Laurel Canyon home burns in arson related fire
http://www.reuters.com/article/2011/12/30/idUS275492047920111230
| - - - - -
The fire -- at 8021 Rothdell Trail in Hollywood -- broke out at 1:20 a.m. in a
nearby car, then spread to the house.
Morrison lived in the 1922 Hollywood home with his girlfriend
Pamela
Courson. It's where he wrote the Doors album
"Waiting for the
Sun" and portions of "The Soft Parade."
youtube
- Waiting for the Sun
The Laurel Canyon street on which it's located also was the inspiration for
the Doors song "Love Street," which played during the closing
credits of a season two episode of "Entourage."
youtube
- Love Street is a 1968 song by The Doors which appears on their album
Waiting For The Sun. The song is about the street in Laurel Canyon,
California, where Jim Morrison lived with his girlfriend Pamela Courson.
http://features.waiting-forthe-sun.net/Pages/summers_gone.html
He Lived on Love Street: Surprise Awaits a Visitor to Jim Morrison's
Laurel Canyon Home
Songfacts:
This song is about the street in Laurel Canyon, California where Jim Morrison
lived with his girlfriend, Pamela Courson. The address was 1812 Rothdell
Trail, but they called it "Love Street" because they could sit on
the balcony and watch the hippies go by.
This was released as the B-side of
"Hello, I Love You."
The line,
"There's a store where the creatures meet" refers to
the canyon store where all the hippies of the canyon hung out. (thanks,
Dhani - Wausau, WI)
Pamela Courson owned a clothing store which was frequented by hippys and
various other trippy types in LA and this is the store referred to in the line
"There's a store where the creatures meet". This is explained in the
biography "No One Here Gets Out Alive"
The lyrics,
"She has me and she has you" indicates that Morrison
knows that his girlfriend Pamela Courson has relations with other men.
(thanks, bob - Laguna Beach, CA)
In the sold lyrics its:
"She has robes and she has monkeys"
But in fact Jim wrote it like this:
"She has robes and she has flunkies".
Flunkies if you didn't know is a reference to his girlfriend Pamela's drug
habit.
The original lyric was "She has robes and she has junkies",
referring to the people she would sleep with.
Pam's clothes shop was called Themis and Jim bought it for her, but its
not the shop that he is reffering to in the song,
the bottom floor of their
apartment was "a store where the creatures meet"
Human Head found on Hollywood Sign hike trail
http://latimesblogs.latimes.com/lanow/2012/01/human-head-found-in-bag-on-hike-trail.html
| - - - - - - - -
http://thecelebritycafe.com/feature/human-head-found-bag-below-hollywood-sign-01-18-2012
Human head found in bag below the Hollywood sign
1/18/2012
Daniel S Levine
A severed human head in a plastic bag was discovered by hikers below the iconic
Hollywood sign near Los Angeles Tuesday. Police say that they are now searching
the area for the rest of the unidentified person’s body.
Reuters reports that two women hikers were walking their nine dogs along a trail
near the popular Griffith Observatory in Hollywood Hills.
According to The Los Angeles Times, two of the hikers’ dogs found the head
inside a plastic bag in the brush, a law enforcement source said.
Police say the head appears to be that of a man in his 40’s with
salt-and-pepper hair. The LA Times reports that the police believe the head was
severed recently due to the condition of it.
Investigators have already closed off the area to search for more body parts,
notes The Associated Press. After searching until dusk on Tuesday with the help
of cadaver dogs, they will return to the scene on Wednesday. The Los Angeles
County coroner will be called in to try to identify the remains.
As Reuters notes, the Hollywood sign has been an iconic landmark since it was
built in 1923, reading “Hollywoodland.” In the late 1940s, “land” was
removed and in 1978, the remaining letters were restored. According to The
Hollywood Reporter, the sign was almost sold in 2010 to the Tiffany & Co.
foundation, Playboy founder Hugh Hefner and philanthropist Aileen Getty helped
the Trust for Public Land acquire the sign.
http://www.nydailynews.com/news/national/dog-walkers-discover-human-head-iconic-hollywood-sign-article-1.1007916
The mysterious head, which was not decomposed, was found by dog walkers after some
of their four-legged friends began playing with an object in a bag on Tuesday
afternoon, The Associated Press reported.
"At some point the object came out and they discovered it was a severed
head," Sgt. Mitzi Fierro told KCAL-TV.
Fierro added investigators believe the head belonged to a man in his 40s or 60s,
although she would not release his race or any other identifying details. The
head seemed to have been placed there recently, she added.
In addition to trying to identify the head, investigators are racing to see if
other parts of the corpse surface, the TV station reported.
| - - - -
http://www.hollywoodhillshomes.com/hotproperties
...
Thinking of Hollywood Hills real estate? You may be wondering just where is the
Hollywood Hills....
Picture a tranquil haven in the center of Los Angeles between Downtown, the
Valley and the Ocean with green hillsides and foothills dotted with an array of
inspiring architecture, quiet meandering streets with canyon and city views
colored by lush purple Jacaranda trees, blooming aromatic Jasmine, Gardenia and
Crimson Bougainvillea vines.
Where you can see Hawks flying overhead at dawn and watch Deer grazing at
dusk. That little bit of real estate paradise that stretches along the Santa
Monica Mountains bordered by Griffith Park from Silverlake to Sunset Strip often
referred to as "An Oasis in the City" is the Hollywood Hills.
Want to Know more about the Neighborhoods that make up this "Oasis in
the City"?
| - - - - -
update:
http://www.cnn.com/2012/01/20/justice/california-severed-head/index.html
Authorities identify severed head, hands, feet found in Hollywood hills
By Michael Martinez, CNN
updated 2:06 PM EST, Fri January 20, 2012
Los Angeles (CNN) -- Authorities have identified the man whose severed head,
hands and feet were found in a park near the Hollywood sign, but they weren't
releasing his name Friday, said Los Angeles County Coroner Assistant Chief
Ed Winter.
The recent discovery of a severed head, two hands and two feet in the
Hollywood hills is near the home of actor Brad Pitt, and authorities have
interviewed his bodyguard for possible leads, police said Thursday.
"It's standard procedure for us to have our detectives canvass the
neighborhood," Los Angeles Police Cmdr. Andrew Smith said. The bodyguard
saw nothing unusual, he added.
In an unusual coincidence, Pitt starred in the film "Seven," in
which he plays a detective and a severed head is found in a box.
Meanwhile, the dog walker whose golden retriever, Ollie, discovered the head
in a park Tuesday below the Hollywood sign said she at first thought the head
was a movie prop.
"Our assumption was that there was always people filming up there, and it
was a prop," Lauren Kornberg, who was walking with her mother at the time,
told HLN. "We walked down the ravine and got closer and realized it was a
freshly severed human head."
...
In what police described as their biggest search in recent memory, 120
investigators scoured a seven-acre parcel of Bronson Canyon Park below
the Hollywood sign looking for clues in the dismemberment, which authorities
believe occurred elsewhere, Smith said.
...
The coroner's cadaver dog discovered the man's hands and feet, but authorities
still haven't located the torso.
Authorities believe the human remains were placed in one spot and then were
spread by wild animals, Smith said.
The body parts were hidden until the animals found them, Smith said.
"You could say it was a determined effort to hide them," Smith said
of the body parts, declining to elaborate. "There was no intent that
these were something that the public would find."
\ - -- -
http://www.nydailynews.com/news/national/cops-id-man-butchered-head-feet-hands-found-hollywood-sign-article-1.1009707
Cops ID man whose butchered head, feet, hands found near Hollywood sign
Victim is 66-year-old retired airline worker
By Philip Caulfield / NEW YORK DAILY NEWS
Saturday, January 21 2012, 2:11 PM
James Dean monument - Griffith Park Observatory
...
Police say the dismembered remains were those of Hervey Medellin, 66, a
retired Mexicana Airlines employee who lived with a roommate near the hiking
trail. Dog walkers discovered a head in a plastic bag along the trail on
Tuesday, according to local reports.
Los Angeles County coroner officials said they were able to identify Medellin
through fingerprints on one of his hands, which were found 50 yards away
from the head on Wednesday by investigators and a cadaver-sniffing dog.
Friends told KCBS-TV that the Bronson Canyon area of Griffith Park where the
body parts were found was one Medellin's favorite hiking spots.
Neighbor Andrew Hill, who lived in the apartment below Medellin, told the Los
Angeles Times that he heard an angry, late-night scuffle in the victim’s
apartment about three weeks ago.
Police are questioning at least one person in connection with the case, the
Times said. No arrests have been made.
Cops were also questioning neighbors in the region, including Brad Pitt's
bodyguard.
The star and his gal pal, Angelina Jolie, have a house in the Hollywood Hills
near where the body parts were found.
Dog-walker Lauren Kornberg, whose golden retriever, Ollie, discovered the head
on Tuesday, said she initially thought it was a movie prop.
"Our assumption was that there was always people filming up there, and it
was a prop," Kornberg, who was walking the with her mother when they made
the grisly find, she told HLN. "We walked down the ravine and got closer
and realized it was a freshly severed human head."
Police concluded a search of the 4,200-acre Griffith Park on Thursday, and
the park was reopened to the public on Friday
| - - - -
http://www.nydailynews.com/news/national/cops-id-man-butchered-head-feet-hands-found-hollywood-sign-article-1.1009707
Cops ID man whose butchered head, feet, hands found near Hollywood sign
Victim is 66-year-old retired airline worker
By Philip Caulfield / NEW YORK DAILY NEWS
Saturday, January 21 2012, 2:11 PM
...
Police say the dismembered remains were those of
Hervey Medellin, 66, a
retired Mexicana Airlines employee who lived with a roommate near the hiking
trail. Dog walkers discovered a head in a plastic bag along the trail on
Tuesday, according to local reports.
Los Angeles County coroner officials said they were able to
identify
Medellin through fingerprints on one of his hands, which were found 50
yards away from the head on Wednesday by investigators and a cadaver-sniffing
dog.
Friends told KCBS-TV that
the Bronson Canyon area of Griffith Park
where
the body parts were found was one Medellin's favorite hiking spots.
Neighbor Andrew Hill, who lived in the apartment below Medellin, told the Los
Angeles Times that he heard an angry, late-night scuffle in the victim’s
apartment about three weeks ago.
Police are questioning at least one person in connection with the case, the
Times said. No arrests have been made.
Cops were also questioning neighbors in the region, including Brad Pitt's
bodyguard.
The star and his gal pal, Angelina Jolie, have a house in the Hollywood Hills
near where the body parts were found.
Dog-walker Lauren Kornberg, whose golden retriever, Ollie, discovered the head
on Tuesday, said she initially thought it was a movie prop.
"Our assumption was that there was always people filming up there, and it
was a prop," Kornberg, who was walking the with her mother when they made
the grisly find, she told HLN. "We walked down the ravine and got closer
and realized it was a freshly severed human head."
Police concluded a search of the 4,200-acre Griffith Park on Thursday, and
the park was reopened to the public on Friday.
| -- - - -
Friends told KCBS-TV that the Bronson
Canyon area of Griffith Park where
the body parts were found was one Medellin's favorite hiking spots.
Bronson Caves:
http://www.seeing-stars.com/locations/BronsonCaves.shtml
One of the many locations he visited were the Bronson Caves in the Griffith
Park area. And he was good enough to send us these photos to help other
visitors find the caves for themselves. (The photos show Steve and his bride
Monica hiking from Canyon Drive to the caves.)
The Bronson caves are man-made, and were probably created back around 1900, when
the area was a rock quarry. (Some say the caves themselves were created
especially for the 1922 version of "Robin Hood" with Douglas
Fairbanks.) But whatever their origin, they have since been used in
countless movies and TV series. They were seen as the 'Bat Cave' in the classic
"Batman" TV series, as well as in "Bonanza," "Star
Trek: Voyager," "Fantasy Island," "Little House on the
Prairie," "The Lone Ranger," "Gunsmoke" and the
"Wild Wild West". Plus feature films such as 2002's "The Scorpion
King," "Star Trek VI: The Undiscovered Country," "Lost
Horizon" and the original "Invasion of the Body Snatchers."
"Once there I turned around and lo and behold, an unbelievable view of
the HOLLYWOOD sign.
You have to go all the way through and out the cave to see it though. Really
nice. The pics don't do it justice... The sign looks much bigger."
(* Remember that the caves are located in an isolated section of Griffith
Park, so exercise reasonable caution.)
In other news, it appears that, while Lookout Mountain Laboratory has been
out of business for many years, the spirit of the clandestine film studio is
still very much alive and well, as evidenced by the ‘Kony 2012’ video.
Ted Nugent: "You Have The Right To Remain Stupid"
Who is Ted Nugent? Who was Fank Zappa? - "The Ring Masters"
Frank Zappa with
his parents (his dad Francis Zappa
http://en.wikipedia.org/wiki/Ted_Nugent
...
After settling down on a ranch in Michigan in 1973,
Nugent signed a record deal
with Frank Zappa's DiscReet Records label and recorded Call of the Wild.
The following year, Tooth Fang & Claw (which contained the song "Great
White Buffalo") established a fan base for Nugent and the other Amboy
Dukes.
Personnel changes nearly wrecked the band, which became known as Ted Nugent
& the Amboy Dukes. Nugent reunited with the other members of the Amboy
Dukes at the 2009 Detroit Music Awards, which took place April 17, 2009. The
psychedelic band received a distinguished achievement honor at the
event. The Dukes also played together at the ceremony, marking their first
public performance in more than 30 years
...
The Amboy Dukes' second single was "Journey to the Center of the
Mind", which featured lyrics written by the Dukes' second guitarist
Steve Farmer.
Nugent, an ardent anti-drug
campaigner, has always claimed that he had no idea that this song was about drug
use
Programmed
To Kill Satanic Cover Up Part 18 Charles ''Charlie'' Manson
Programmed
To Kill Satanic Cover Up Part 1
http://www.amazon.com/Programmed-Kill-Politics-Serial-Murder/dp/0595326404
http://www.scribd.com/doc/36363051/Dave-McGowan-Programmed-to-Kill
Dave McGowan - Programmed to Kill - The Politics of Serial Murder